Hayalin ger\u00e7ekle, mitin efsaneyle yar\u0131\u015ft\u0131\u011f\u0131; ay\u0131n y\u0131ld\u0131zla birle\u015fip g\u00fcne\u015fe kar\u0131\u015ft\u0131\u011f\u0131, yerden g\u00f6\u011fe kadar T\u00fcrkl\u00fck kokan; yer yer okun, g\u00fcrz\u00fcn, k\u0131l\u0131c\u0131n seslerini duyaca\u011f\u0131m\u0131z, g\u00f6\u011f\u00fc titreten nal sesleri aras\u0131nda nefes nefese kalaca\u011f\u0131m\u0131z, ilk m\u0131sras\u0131ndan son hecesine de\u011fin merak\u0131m\u0131z\u0131, i\u015ftiyak\u0131m\u0131z\u0131, heyecan\u0131m\u0131z\u0131 had safhada tutan bir roman: Son Varis.
\n Aral G\u00f6l\u00fc civar\u0131nda, u\u00e7suz bucaks\u0131z bir bozk\u0131rda, Ak Togan’\u0131n ota\u011f\u0131nda ba\u015flay\u0131p atalar yurdu \u00d6t\u00fcken’e do\u011fru uzanan kutlu bir yolculu\u011fa \u00e7\u0131kar\u0131yor bizi yazar\u0131m\u0131z M. Hamza G\u00fcrsoy. Anlat\u0131lan olaylar, kullan\u0131lan adlar, yap\u0131lan betimlemeler tam bir T\u00fcrk’e yak\u0131\u015f\u0131rcas\u0131na \u00f6zenle se\u00e7ilmi\u015f ve bir yapbozun par\u00e7alar\u0131n\u0131 tamamlarcas\u0131na uyum i\u00e7inde sergilenmi\u015f. K\u0131sa ama \u00f6z c\u00fcmleler konunun b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc bozmadan, olay \u00f6rg\u00fcs\u00fcnden uzakla\u015fmadan eser \u00fczerindeki h\u00e2kimiyetimizi korumam\u0131z\u0131 sa\u011flarken eserin b\u00fct\u00fcn\u00fcne h\u00e2kim olan diyaloglar da bizi hareketlili\u011fin i\u00e7ine \u00e7ekmeyi ba\u015faracak \u015fekilde ustal\u0131kla d\u00fczenlenmi\u015f.
\n K\u0131\u015f\u0131n son, bahar\u0131n ilk g\u00fcnlerini y\u00e2d eden c\u00fcmlelerle ba\u015flayan eser asl\u0131nda bu girizg\u00e2h ile i\u00e7eri\u011fi hakk\u0131nda da bize ipu\u00e7lar\u0131 veriyor. O\u011fuz’un 17. ya\u015f g\u00fcn\u00fc; geride kalan toylu\u011fu, \u00e7ocuklu\u011fu yani k\u0131\u015f\u0131 simgelerken ayn\u0131 zamanda yeni basaca\u011f\u0131 ya\u015f da hayat\u0131n\u0131n geri kalan\u0131ndaki \u00e7i\u00e7eklenmelerin, ye\u015ferip canlanmalar\u0131n, \u00f6z\u00fcn\u00fc bulma \u00e7abalar\u0131n\u0131n yani bir nevi bahar\u0131n simgesi olma g\u00f6revini \u00fcstleniyor.
\n Ge\u00e7mi\u015fteki olaylara at\u0131fta bulunarak onlar\u0131 an\u0131msatma sanat\u0131 dedi\u011fimiz telmih sanat\u0131ndan da faydalanan yazar\u0131m\u0131z bunu yaparken ele al\u0131nan konu benzer olsa dahi \u00fcslup noktas\u0131nda tekrara d\u00fc\u015fmekten \u00f6zenle ka\u00e7\u0131nd\u0131\u011f\u0131n\u0131 ve bunun da s\u00f6z konusu yap\u0131t\u0131n de\u011ferine de\u011fer katt\u0131\u011f\u0131n\u0131 samimiyetle ifade edebilirim.
\n Baz\u0131 sayfalarda kendinizi Dede Korkut Hik\u00e2yeleri’nin i\u00e7inde dola\u015f\u0131r gibi hissederken baz\u0131 sayfalarda y\u00fczy\u0131llar \u00f6ncesinde ya\u015fanan Musa (a.s) ile Firavun’un hik\u00e2yesine dalm\u0131\u015f buluyor sonra birden bilmedi\u011finiz bir \u00e2lemde tan\u0131mad\u0131\u011f\u0131n\u0131z do\u011fa\u00fcst\u00fc g\u00fcce sahip varl\u0131klar\u0131n i\u00e7inde g\u00f6zlerinizi tekrar a\u00e7\u0131p kendinize gelmeye \u00e7al\u0131\u015f\u0131yorsunuz.
\n \u0130\u015fin takdire \u015fayan olan y\u00f6nlerinden biri \u015fudur ki: Bunca katmanl\u0131l\u0131k, \u00e7e\u015fitlilik ve bunun getirdi\u011fi kar\u0131\u015f\u0131kl\u0131k i\u00e7inde asla dikkatiniz da\u011f\u0131lm\u0131yor, konu b\u00fct\u00fcnl\u00fc\u011f\u00fc bozulmuyor ve okumaktan s\u0131k\u0131lm\u0131yorsunuz. Enteresan de\u011fil mi? Bu h\u00e2l, yazar\u0131m\u0131z da do\u011fa\u00fcst\u00fc bir g\u00fcce mi sahip acaba, sorusunu zihnimizde uyand\u0131rm\u0131yor de\u011fil hani. Her \u015fey z\u0131dd\u0131yla daim ve kaimdir s\u00f6z\u00fcn\u00fcn gere\u011fi z\u0131tl\u0131klar\u0131n birbiriyle nas\u0131l bir denge i\u00e7inde verildi\u011fini g\u00f6r\u00fcyor ve yazar\u0131m\u0131za hayranl\u0131k duymadan edemiyoruz.
\n T\u00fcrk gelenek ve g\u00f6reneklerinin asl\u0131na uygun \u015fekilde sergilenmeye ve aktar\u0131lmaya \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131 bu eser ayn\u0131 zamanda tarihini yeterince bilmeyenler ve merak edenler i\u00e7in de bir kaynak te\u015fkil edecektir. Neler yok ki bu kitapta? G\u00f6\u00e7ebe ya\u015fam\u0131n zorlu\u011fu, halka ve hana y\u00fcklenen sorumluluklar, bir ka\u011fan\u0131n obas\u0131 i\u00e7in verdi\u011fi m\u00fccadele, bey evlad\u0131 O\u011fuz’un ka\u011fan olmak i\u00e7in yerine getirmesi gereken vazifeler, a\u015fk\u0131n en saf ve en cesur hali, sava\u015f\u0131n heybeti, bar\u0131\u015f\u0131n lezzeti, vefan\u0131n g\u00fczelli\u011fi, karde\u015flik duygusunun asaleti, b\u00fcy\u00fcklere h\u00fcrmetin bereketi, k\u00fc\u00e7\u00fckleri koruman\u0131n heybeti…
\n Y\u0131llar sonra ger\u00e7ek ailesinin asl\u0131nda i\u00e7inde bulundu\u011fu hane olmad\u0131\u011f\u0131n\u0131 \u00f6\u011frenen buna ra\u011fmen sayg\u0131da kusur, vefada nank\u00f6rl\u00fck etmeden hakikatin pe\u015fine d\u00fc\u015fen O\u011fuz’un; baba bildi\u011fi ota\u011fdan ayr\u0131l\u0131p sevdi\u011fine, yurduna, b\u00fcy\u00fcd\u00fc\u011f\u00fc topraklara, ko\u015ftu\u011fu \u00e7imenlere, koklad\u0131\u011f\u0131 \u00e7i\u00e7eklere veda ederek ata yurdu \u00d6t\u00fcken’e dostlar\u0131yla birlikte yolculu\u011fa \u00e7\u0131k\u0131\u015f\u0131n\u0131n anlat\u0131ld\u0131\u011f\u0131 bu eser, kadim tarihimize dair \u00f6nemli mesajlar ihtiva etmektedir.
\n O\u011fuz’u ger\u00e7e\u011fe ula\u015ft\u0131rabilecek tek alet efsunlu G\u00fcm\u00fc\u015f Pen\u00e7e, H\u0131z\u0131r a.s. ile \u00f6zde\u015fle\u015ftirebilece\u011fimiz \u0130htiyar Bilgin, g\u00f6revini ve kabiliyetini k\u00f6t\u00fcye kullanan, zaman\u0131nda hastalar\u0131n hekimli\u011fini \u00fcstlenirken ya\u015fanan k\u00f6t\u00fc olaylar\u0131n ard\u0131ndan topluma di\u015f bileyen ve intikam duygusuyla beslenen \u015famanlar, do\u011fa\u00fcst\u00fc g\u00fcce sahip iyi ve k\u00f6t\u00fc varl\u0131klar, misafir olunan yeni obalar ve tan\u0131\u015f\u0131lan yeni insanlar aras\u0131nda ge\u00e7en olaylarla \u00f6r\u00fcl\u00fc bu eseri bir solukta okuyacak ve yazar\u0131n ikinci kitab\u0131n\u0131 bir an \u00f6nce tamamlamas\u0131 i\u00e7in siz de dua etmeye ba\u015flayacaks\u0131n\u0131z say\u0131n okur.
\n Bu eserle bize hem zamanda bilgi dolu, keyifli bir yolculuk yapma hem de i\u00e7inde bulundu\u011fumuz d\u00f6nemle yak\u0131n tarihimizi bilin\u00e7li bir \u015fekilde mukayese etme imk\u00e2n\u0131 sunan yazar\u0131m\u0131za te\u015fekk\u00fcr eder ve daha nice g\u00fczel yap\u0131tlara imza atmas\u0131n\u0131 dileriz. <\/p>\n","protected":false},"excerpt":{"rendered":"
Hayalin ger\u00e7ekle, mitin efsaneyle yar\u0131\u015ft\u0131\u011f\u0131; ay\u0131n…<\/p>\n","protected":false},"author":125,"featured_media":9277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,55],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/9266"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9266"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/9266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}