{"id":8937,"date":"2018-07-01T22:00:00","date_gmt":"2018-07-01T19:00:00","guid":{"rendered":"http:\/\/kadrandergi.com.tr\/?p=8937"},"modified":"2018-07-01T22:00:00","modified_gmt":"2018-07-01T19:00:00","slug":"soyut-sanatin-gelisimi","status":"publish","type":"post","link":"https:\/\/www.kadrandergi.com.tr\/?p=8937","title":{"rendered":"Soyut Sanat\u0131n Geli\u015fimi"},"content":{"rendered":"<p>Soyut sanat\u0131n ilk \u00f6rnekleriniilkel toplumlar\u0131n yan\u0131 s\u0131ra \u00e7ocuk resimlerinde de g\u00f6rebiliriz. \u00c7ocuklar\u0131n alg\u0131lama eyleminde nesnelerden edindi\u011fi rastgele bilgiler yatmaktad\u0131r. \u00c7ocuklar bu rastgele bilgilere dayanarak kopuk par\u00e7alardan olu\u015fan nesneleri bir imgede birle\u015ftirme e\u011filimindedirler.<\/p>\n<p>\u00c7ocuk resimlerinin \u015fa\u015f\u0131rt\u0131c\u0131 bir \u015fekilde ilgin\u00e7 g\u00f6r\u00fcnt\u00fclerle ortaya \u00e7\u0131kmas\u0131 \u00e7ocu\u011fun \u201c\u00f6zg\u00fcr anlat\u0131m\u0131\u201d olarak tan\u0131mlanmaktad\u0131r. \u00c7ocu\u011fun \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc bozma korkusu, her t\u00fcrl\u00fc \u00f6\u011frenimi sanat e\u011fitimi d\u0131\u015f\u0131nda tutulmu\u015ftur.<\/p>\n<p>\u00c7ocuk resimleri, di\u011fer sanat bi\u00e7imleri ve ilkel insan\u0131n \u00e7izdikleri aras\u0131ndaki benzerliklerle ba\u015fka bir boyut kazanmaktad\u0131r. \u00c7ocuk resimlerinde g\u00f6r\u00fclen karalamalar\u0131n, g\u00f6rd\u00fc\u011f\u00fcn\u00fc yans\u0131tmaya do\u011fru geli\u015fen s\u00fcre\u00e7, insanl\u0131k tarihi i\u00e7inde ma\u011fara resimlerinden R\u00f6nesans ve \u00e7a\u011f\u0131m\u0131za kadar sanat\u0131n, bat\u0131da ge\u00e7irdi\u011fi de\u011fi\u015fim s\u00fcrecini a\u00e7\u0131klamak i\u00e7in de kaynak say\u0131lmaktad\u0131r.<\/p>\n<p>Estetik yal\u0131nl\u0131k ile deneyim aras\u0131ndaki durum, sanattaki \u00e7ocuksu \u00f6z\u00fc ortaya \u00e7\u0131karmaktad\u0131r. \u0130lkelerin resimleri de yal\u0131nl\u0131k ve safl\u0131k nedeniyle, sanat\u0131n ve esteti\u011fin yo\u011frulmam\u0131\u015f saf k\u00f6keni, g\u00f6r\u00fc\u015f\u00fc yolunda \u00e7ocuk resimleriyle kar\u015f\u0131la\u015ft\u0131r\u0131lmaktad\u0131r. Daha sonra bu g\u00f6r\u00fc\u015f yerini psikolojik ve fizyolojik s\u00fcre\u00e7 kar\u015f\u0131la\u015ft\u0131rmas\u0131na b\u0131rakmaktad\u0131r. \u0130lkelerin resimleri, kimi modern sanat\u00e7\u0131lar\u0131n yap\u0131tlar\u0131, do\u011fu sanat\u0131, minyat\u00fcrler ve \u00e7ocuk resimleri bu kar\u015f\u0131la\u015ft\u0131rma i\u00e7erisinde yer almaktad\u0131rlar ve aralar\u0131ndaki benzerliklere, farkl\u0131l\u0131klara dikkat \u00e7ekilmektedir.<\/p>\n<p>\u00c7ocuklar\u0131n yapm\u0131\u015f oldu\u011fu resimlerde romantik yakla\u015f\u0131m\u0131n, sanat\u0131n k\u00f6kenini arama gibi unsurlar\u0131n yer almas\u0131nda \u00e7ocuklar\u0131n resimleri, sanatsal olguya ula\u015fmaktad\u0131r. \u00c7ocuklar, sanat dal\u0131nda de\u011fi\u015fim s\u00fcrecine \u0131\u015f\u0131k tutmaktad\u0131rlar. Adeta sanat\u0131n geli\u015fim ve de\u011fi\u015fim s\u00fcrecinin g\u00f6stergesi gibidir.<\/p>\n<p>\u00c7ocuksu resimler, \u0130spanyol sanat\u00e7\u0131 Joan Miro\u2019nun eserlerinde de g\u00f6r\u00fclmektedir.<br \/>\n20. y\u00fczy\u0131l sanat\u0131na damgas\u0131n\u0131 vurmu\u015f en \u00f6nemli, s\u0131ra d\u0131\u015f\u0131 sanat\u00e7\u0131lardan birisidir.JoanMiro&#8217;nun\u00e7al\u0131\u015fmalar\u0131, zengin, \u00e7ok renkli ve s\u0131rad\u0131\u015f\u0131 evrenini yans\u0131tan resim ve heykellerinden olu\u015fmaktad\u0131r.<\/p>\n<p>JoanMiro\u2019nun, Pablo Picasso ve Francis Picabia\u2019dan etkilendi\u011fi g\u00f6r\u00fclmektedir. Pablo Picasso\u2019nun nesneleri farkl\u0131 bak\u0131\u015f ac\u0131lar\u0131yla g\u00f6steren k\u00fcbist tasar\u0131mlar\u0131ndan, Francis Picabia\u2019n\u0131n ise da\u011f\u0131n\u0131k ve rastgele yap\u0131lm\u0131\u015f tasar\u0131mlar\u0131ndan etkilendi\u011fi bilinmektedir. Ak\u0131\u015f\u0131 g\u00fczel \u00e7izgiler, k\u0131vr\u0131ml\u0131, kavisli nesneler, e\u011fri b\u00fc\u011fr\u00fc bi\u00e7imler, Miro\u2019nun tavr\u0131n\u0131 temsil etmektedir. JoanMiro\u2019nun, resimlerini yaparken haf\u0131zas\u0131n\u0131 ve hayal g\u00fcc\u00fcn\u00fc kulland\u0131\u011f\u0131 ifade edilmektedir. Miro\u2019nun resimlerine bak\u0131ld\u0131\u011f\u0131nda yapm\u0131\u015f oldu\u011fu \u201cSoytar\u0131lar Karnaval\u0131\u201d adl\u0131 resminde \u0130spanya\u2019da d\u00fczenlenen karnavallardan etkilendi\u011fi bilinmektedir. Miro, \u00e7ok kez \u201cFalles\u201c (falles ad\u0131 verilen tutkall\u0131 k\u00e2\u011f\u0131ttan yap\u0131lan renkli dev kuklalar\u0131n ge\u00e7it t\u00f6renidir) adl\u0131 \u0130spanyol festivallere kat\u0131lm\u0131\u015ft\u0131r. Kat\u0131ld\u0131\u011f\u0131 bu festivallerden etkilenerek \u201cSoytar\u0131lar Karnaval\u0131\u201d adl\u0131 resmini yapt\u0131\u011f\u0131 bilinmektedir.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-8941 aligncenter\" src=\"http:\/\/kadrandergi.com.tr\/wp-content\/uploads\/2018\/07\/Soyut-Sanat1-300x212.jpg\" alt=\"\" width=\"481\" height=\"340\" \/><\/strong><strong>\u00a0 \u00a0 \u00a0 Resim 1:<\/strong>J. Miro, Le Carnavald\u2019Arlequin, Tuval<br \/>\n\u00dczerine Ya\u011fl\u0131 Boya, 66&#215;93 cm, 1924<\/p>\n<p>&nbsp;<\/p>\n<p>Soytar\u0131lar Karnaval\u0131\u201d adl\u0131 resmini yaparken g\u00f6r\u00fcnt\u00fcleri ortaya \u00e7\u0131karmak i\u00e7in karalamalar yapmak yerine bilin\u00e7d\u0131\u015f\u0131n\u0131 serbest b\u0131rakt\u0131\u011f\u0131 bilinmektedir. Resimde soytar\u0131fig\u00fcrler g\u00f6r\u00fclmektedir. Bu fig\u00fcrlerin \u00fcstlerinde ise soytar\u0131 kost\u00fcmleri yer almaktad\u0131r. Ana renklerle kar\u015f\u0131tl\u0131k olu\u015fturarak alanlar\u0131 b\u00f6ld\u00fc\u011f\u00fcn\u00fc s\u00f6yleyebiliriz.Miro\u2019nun\u201cSoytar\u0131lar Karnaval\u0131\u201d adl\u0131 ger\u00e7ek\u00fcst\u00fc (r\u00fcyaya benzeyen) resminde odan\u0131n i\u00e7ine da\u011f\u0131lm\u0131\u015f bir \u015fekilde hayvanlar\u0131, nesneleri ve \u015fekilleri g\u00f6rmekteyiz. Bu oda Miro\u2019nun zihni olarak da d\u00fc\u015f\u00fcn\u00fclebilir. Ya da at\u00f6lyesi gibi d\u00fc\u015f\u00fcn\u00fclebilir.\u00a0 Belki de bir at\u00f6lyedir.<\/p>\n<p>JoanMiro\u2019nun \u201cAy I\u015f\u0131\u011f\u0131nda Kad\u0131nlar\u201d ve \u201cKu\u015f\u201d adl\u0131 resmine bakacak olursak; resme bak\u0131ld\u0131\u011f\u0131 zaman resimde mavi renkte bir ay ve beyaz renkte bir y\u0131ld\u0131z g\u00f6r\u00fclmektedir. Resimde ay ve y\u0131ld\u0131z\u0131n olmas\u0131 bize gece oldu\u011funu anlatmaktad\u0131r.<\/p>\n<p><strong>\u00a0<img decoding=\"async\" class=\" wp-image-8940 aligncenter\" src=\"http:\/\/kadrandergi.com.tr\/wp-content\/uploads\/2018\/07\/soyut-sanat2-241x300.jpg\" alt=\"\" width=\"409\" height=\"509\" \/><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><strong>\u00a0 Resim 2:<\/strong>J. Miro, Ay I\u015f\u0131\u011f\u0131nda Kad\u0131nlar ve Ku\u015f<\/p>\n<p>&nbsp;<\/p>\n<p>JoanMiro\u2019nun 1956 y\u0131l\u0131nda Mayorka\u2019da bir eve yerle\u015fti\u011fi ve \u00f6lene kadar burada ya\u015fad\u0131\u011f\u0131 bilinmektedir. JoanMiro\u2019nun at\u00f6lyesinin, hayal d\u00fcnyas\u0131n\u0131 canland\u0131ran resimleriyle ve heykelleriyle dolu oldu\u011fu bilinmektedir. At\u00f6lyesinin yerlerinde hala siyah boya lekeleri g\u00f6r\u00fclebilece\u011fi ifade edilmektedir. JoanMiro, nas\u0131l ki yapm\u0131\u015f oldu\u011fu resimleri \u00e7ocuksu bir \u015fekilde yap\u0131yorsa ayn\u0131 \u015fekilde heykellerini de o \u015fekilde yapmaktad\u0131r. \u00c7ocuk resimleriyle ili\u015fki kurulabilecek yak\u0131nl\u0131klara sahip \u00e7al\u0131\u015fmalar\u0131n\u0131 g\u00f6rmekteyiz.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-8939 aligncenter\" src=\"http:\/\/kadrandergi.com.tr\/wp-content\/uploads\/2018\/07\/soyun-sanat3-217x300.jpeg\" alt=\"\" width=\"360\" height=\"498\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Resim 3: <\/strong>J. Miro, Boyal\u0131 Bronz,<\/p>\n<p style=\"text-align: center;\">85 3\/8 x 18 \u00bd x 15 3\/8 in\u00e7, Barselona Koleksiyonu, 1967<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soyut sanat\u0131n ilk \u00f6rnekleriniilkel toplumlar\u0131n yan\u0131&#8230;<\/p>\n","protected":false},"author":132,"featured_media":8997,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,55],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/8937"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8937"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/8937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}