\u201cBir damla bir damla daha iki damla etmez, daha b\u00fcy\u00fck bir damla eder.\u201d<\/p>\n
Tarkovski, Nostalgia<\/p>\n
Keskin olan kesinlik ve Tanr\u0131\u2019n\u0131n oyunlar\u0131\u2026 Maddenin, antimaddeyi yendi\u011fine olan inanc\u0131 sars\u0131lmayan gaflet d\u00fc\u015fk\u00fcnleri. Say\u0131lar\u0131n yani anlam\u0131n g\u00fcc\u00fcn\u00fc \u00f6nemseyip, +\u2019n\u0131n yani anlamlar aras\u0131ndaki minik ba\u011flar\u0131n g\u00fcc\u00fcn\u00fc hi\u00e7e sayanlar\u0131n \u00e7aresizli\u011fi. Harfleri g\u00f6z ard\u0131 edenlerin, salt manan\u0131n pe\u015fine d\u00fc\u015fenlerin, kelimelerin harflerden var oldu\u011funu g\u00f6remeyen g\u00f6zleri.<\/p>\n
\u0130nanc\u0131m\u0131z tamd\u0131r b\u00fct\u00fcne, bilimsel g\u00fcce, zahire. Detaylar\u0131n, ince k\u0131vr\u0131mlar\u0131n ne \u00f6nemi vard\u0131r zaten b\u00fcy\u00fck resmin resminde. Hepsi minik detaylard\u0131r ve g\u00f6z ard\u0131 etmek boynumuzun borcudur. Borcu olmak zorundad\u0131r zahiri g\u00f6rmek, bat\u0131nla hemh\u00e2l olmamak. Hepsi bu mu?<\/p>\n
\u0130ktidar hakikati tekelinde tuttu\u011funu zanneder. \u0130ktidar olan\u0131n h\u0131rs\u0131 da bu tekelli\u011fin tekelinde olmas\u0131n\u0131n devaml\u0131l\u0131\u011f\u0131n\u0131 istemesinden ibarettir. \u0130ktidar 2+2\u2019nin d\u00f6rt etti\u011fini s\u00f6yler ve art\u0131k hakikat, iktidar\u0131n iktidar\u0131n\u0131 elinden kaybedece\u011fi ana kadar d\u00f6rtt\u00fcr. Bir g\u00fcn iktidar de\u011fi\u015fir de 2+2 \u00fc\u00e7t\u00fcr derse hakikat d\u00f6rt olur. Bu y\u00fczden 2+2 her zaman olmasa da bazen \u00fc\u00e7 olur. \u00c7\u00fcnk\u00fc iktidarlar\u0131n y\u00f6nelimleri de hakikatten uzak olabilir ve 2+2\u2019nin 3 veya 5 oldu\u011funa inanabilirler. Hakikate sahip olabilme duygusu, iktidar duygusu ile paralellik arz eder bu y\u00fczden.<\/p>\n
Orwell\u2019in Winston Smith\u2019i g\u00fcnl\u00fc\u011f\u00fcne yazar ya hani \u201c\u00d6zg\u00fcrl\u00fck 2+2\u2019nin 4 etti\u011fini s\u00f6yleyebilme \u00f6zg\u00fcrl\u00fc\u011f\u00fcd\u00fcr.\u201d diye. \u00d6zg\u00fcrl\u00fck asl\u0131nda hay\u0131r diyebilmenin rahatl\u0131\u011f\u0131d\u0131r. Herkesin hay\u0131r dedi\u011fi zamanda \u201cevet!\u201d diyebilmek -yani negatiflemek- \u00f6zg\u00fcrl\u00fckt\u00fcr i\u015fte. Negatifleme, olumsuzlama daha do\u011fru ifadeyle reddiye. \u00d6zg\u00fcrl\u00fck \u00fczerine kurulan sistemlerin kalitesi pozitiflemenin tolerans\u0131ndan de\u011fil negatiflemenin tolerans\u0131ndan kaynaklan\u0131r. Ne kadar olumsuzlama yapabiliyorsan o kadar \u00f6zg\u00fcrs\u00fcnd\u00fcr. Duru ve saf hakikat gayesi gayen ise iktidarlarla g\u00f6z\u00fcn\u00fc boyayamazs\u0131n. Zaten hakikat yoluna d\u00fc\u015ft\u00fcysen iktidar olan sensin. Ve unutma, iktidarlar ayr\u0131nt\u0131lara da hakimdir.<\/p>\n
+\u2019ya ayr\u0131nt\u0131 demek i\u00e7imden gelmiyor esas\u0131nda. Ayr\u0131nt\u0131dan ziyade mihraplar\u0131n kilit ta\u015f\u0131 h\u00fckm\u00fcnde. Olmad\u0131\u011f\u0131nda t\u00fcm sistem \u00e7\u00f6kecek \u00e7\u00fcnk\u00fc. Belki modern d\u00fcnyam\u0131z\u0131n say\u0131larla, kelimelerle, sonu\u00e7larla, c\u00fcmlelerle dolu\u015fturulmas\u0131n\u0131n bir getirisi bu. Harfler \u00fczerinde d\u00fc\u015f\u00fcnmemek, say\u0131lar\u0131n aralar\u0131n\u0131 dolduran virg\u00fcllerden + veya -\u2018lerden m\u00fcberra oldu\u011fumuzu zannetmek. Sadece zann etmek. Zann etmedik\u00e7e insan olma \u00e7abas\u0131nda olaca\u011f\u0131m\u0131zdan zan etmek bir vazife atfedildi insano\u011fluna. \u201c\u0130\u015fin do\u011frusu nedir bilemem ama bu!\u201d dedik hep. Kesin gibi keskince, b\u0131\u00e7ak gibi. Kestirip att\u0131\u011f\u0131m\u0131z i\u015fin do\u011frusu de\u011fil i\u015fin b\u00fct\u00fcn\u00fcyd\u00fc asl\u0131nda. Dedik\u00e7e bitirdik kelimelerimizi de. Harfleri unuttuk, umursamad\u0131k bile. Neden? Ni\u00e7in? Sorular\u0131 kurcalamaz oldu zihnimizi. \u00c7\u00fcnk\u00fc duygulan\u0131m yasaklanm\u0131\u015ft\u0131. Ba\u015fta a\u011flamak\u2026 Sonra g\u00fclmek\u2026 Ama daha geni\u015f d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde duygunun b\u00fct\u00fcn \u00e7e\u015fitlerine yasaklar geldi pe\u015fi s\u0131ra. Duyguland\u0131rma ve alg\u0131lama birbiriyle dost iki fiil. Bir sanat tablosuna bakar bakmaz alg\u0131lamaya ba\u015flar\u0131z. \u00d6nce g\u00f6zlerimiz sonra di\u011fer fonksiyonlar\u0131m\u0131zla. \u0130\u015fte bu alg\u0131 belki mikro saniyede duygulan\u0131m\u0131 meydana getirir. Yani insan olmak alg\u0131lamaya de\u011fil duygulan\u0131ma ba\u011fl\u0131d\u0131r. Bu y\u00fczden olsa gerek pek \u00e7ok dikta rejiminde, insanl\u0131\u011f\u0131n en karanl\u0131k d\u00f6nemlerinin hemen hemen hepsinde sanat ve edebiyat b\u00fct\u00fcn b\u00fct\u00fcn yasaklan\u0131r. \u0130stisnalar ise propaganda ama\u00e7l\u0131 kullan\u0131l\u0131r ve sanat genel \u00e7apta en b\u00fcy\u00fck darbeyi buradan yer. Sans\u00fcrden. \u00c7\u00fcnk\u00fc sanat 1 ile ilgilenmez, 2 ile hi\u00e7 ilgilenmez. Sanat\u0131n meselesi \u00e7\u00f6z\u00fcm\u00fc iktidarlar\u0131n \u00e7\u00f6z\u00fcm\u00fcyle \u00f6rt\u00fc\u015fmeyebilir ki kayg\u0131s\u0131 da yoktur. Sanat say\u0131larla da ilgilenmez. Sanat\u0131n i\u015fi o aradaki detaylar\u0131n hakikate ne katt\u0131\u011f\u0131n\u0131 bulmakt\u0131r. Bir aray\u0131\u015f yani. +\u2019n\u0131n ne oldu\u011funu d\u00fc\u015f\u00fcnmekten \u00f6te o +\u2019n\u0131n hakikate olan getirisi nedir\u2019i bulmak gaye.<\/p>\n
\u015eimdi \u2018bu kal\u0131plardan nas\u0131l s\u0131yr\u0131l\u0131r\u0131m\u2019 diye d\u00fc\u015f\u00fcnmenin vakti gelmedi mi? Bilmiyorum ki\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"
\u201cBir damla bir damla daha iki…<\/p>\n","protected":false},"author":6,"featured_media":8685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67,53],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7974"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7974"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7974\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}