{"id":7942,"date":"2016-09-01T18:54:19","date_gmt":"2016-09-01T15:54:19","guid":{"rendered":"http:\/\/kadrandergi.com.tr\/?p=7942"},"modified":"2016-09-01T18:54:19","modified_gmt":"2016-09-01T15:54:19","slug":"beethoven-ve-siddet","status":"publish","type":"post","link":"https:\/\/www.kadrandergi.com.tr\/?p=7942","title":{"rendered":"BEETHOVEN VE \u015e\u0130DDET"},"content":{"rendered":"<p>Tarkovsky\u2026 Nostalgia filminin 1 damla 1 damla daha 2 damla de\u011fil 1 b\u00fcy\u00fck damla eder sahnesinin ba\u015flang\u0131c\u0131. Kaos ve sava\u015f\u0131n sonucunda harabe olmu\u015f bir mekan. \u0130htimal n\u00fckleer sald\u0131r\u0131s\u0131 sonucu g\u00f6zleri oyulmu\u015f ve elbette \u00f6lm\u00fc\u015f bir bebek. T\u00fcm bu trajedi ve dram\u0131n arka plan\u0131nda ise Beethoven var: 9. Senfoni.<br \/>\nLeon\u2026 Matilda\u2019n\u0131n ailesini \u00f6ld\u00fcrmeye gelen k\u00f6t\u00fc adamlar ve lideri. Eve girmeden \u00f6nce sordu\u011fu soru \u015fu bir adam\u0131na \u2018Beethoven\u2019i sever misin?\u2019 cevap \u2018pek say\u0131lmaz\u2019. Ard\u0131nda a\u011f\u0131r silahlara mermiler yerle\u015ftirilip eve girip ortal\u0131\u011f\u0131 kan gol\u00fcne \u00e7evirecekler. Eve girmeden \u00f6nce psikopat liderin s\u00f6yledi\u011fi s\u00f6z: \u201cHissediyorum.. \u015eu an Beethoven\u2019\u0131n 9. Senfonisi \u00e7al\u0131yor.\u201d Hemen ard\u0131ndan evi kan gol\u00fcne \u00e7eviriyor.<br \/>\nA Clockwork Orange\u2026 Leon\u2019daki psikopatla e\u015fde\u011fer bir psikopat. \u201cBeethoven dinleyince geriliyorum.\u201d dedikten sonra hayalinde canlanan \u00f6gelerin hepsi \u015fiddet i\u00e7erikli. Tahmininiz do\u011fru. Arka planda 9. Senfoni var.<br \/>\nSinema d\u00fcnyas\u0131n\u0131n, Beethoven \u00fczerinden verdi\u011fi mesaj\u0131 anlamak g\u00fc\u00e7 olmasa gerek. Avrupa Birli\u011fi Mar\u015f\u0131 olan 9. Senfoni bar\u0131\u015f, karde\u015flik ve insanl\u0131\u011f\u0131 i\u015fler. S\u00f6z\u00fcmona verdi\u011fi mesaj insanl\u0131\u011f\u0131n makinala\u015fmas\u0131yla birlikte ortaya \u00e7\u0131kan kaos ve ter\u00f6r ile tamamen z\u0131tt\u0131r. Yukar\u0131da \u00f6rneklerini verdi\u011fimiz sinematik mesajlar, insanl\u0131\u011f\u0131n, duygular\u0131n makinala\u015fmas\u0131n\u0131 ve d\u00fcnyan\u0131n salt matematikle\u015fmesini a\u011f\u0131r \u015fekilde ele\u015ftirir. Paradoksun heybetini g\u00f6zler \u00f6n\u00fcne serer. Beethoven ile\u2026 Sanat\u0131n ve m\u00fczi\u011fin \u00f6nc\u00fcs\u00fcn\u00fcn, bar\u0131\u015f ad\u0131na besteledi\u011fi senfonilerinin kaos ve gerilim hatta sava\u015f getirmesi bu paradoksun boyutunu \u00e7izer.<\/p>\n<p>Bu filmlerden onlarca y\u0131l \u00f6nce, kendi topra\u011f\u0131m\u0131z\u0131n de\u011ferli \u015fairi Naz\u0131m Hikmet de 3 \u015fiiriyle bu mesaj\u0131n el\u00e7isi olmu\u015ftur. Ama tamamen ters bir \u015fekilde. 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda kom\u00fcnist rejimlerin destekledi\u011fi makinala\u015fma ve end\u00fcstrile\u015fmeyi savunan futurizm ve konstruktivizm ak\u0131mlar\u0131n\u0131 benimseyerek hem de.<br \/>\nSanat Telakkisi \u015eiirinde, insanla de\u011fil insan\u0131n yapt\u0131\u011f\u0131yla ilgileniyorum der Naz\u0131m:<br \/>\n\u201cDinlenir, dinlenmez de\u011fil<br \/>\nb\u00fclb\u00fcl\u00fcn g\u00fcle kar\u015f\u0131 feryatlar\u0131\u2026<br \/>\nFakat as\u0131l benim anlad\u0131\u011f\u0131m dil:<br \/>\nBak\u0131r, demir, tahta, kemik ve kiri\u015flerle \u00e7al\u0131nan<br \/>\nBethovenin sonatlar\u0131\u2026\u201d<br \/>\nYald\u0131zl\u0131 Me\u015fin Kab\u0131n\u2019\u0131n son d\u00f6rtl\u00fc\u011f\u00fcnde;<br \/>\n\u201cEfendiler, a\u011falar, evliyalar, ke\u015fi\u015fler,<br \/>\nEbedi karanl\u0131\u011f\u0131n bo\u011fulsun kollar\u0131nda,<br \/>\nArt\u0131k temiz ruhlar\u0131n ayd\u0131nl\u0131k yollar\u0131nda,<br \/>\nSade bir din, bir kanun, bir hak i\u015fleyen di\u015fler\u2026\u201d<br \/>\ndiyen Naz\u0131m bir devrim ister. \u0130stedi\u011fi devrim ise \u2018hak i\u015fleyen di\u015fler\u2019 yani end\u00fcstri odakl\u0131d\u0131r. Bu devrimini ise insanl\u0131\u011f\u0131n do\u011fa kar\u015f\u0131s\u0131ndaki nedenselli\u011finin s\u00fckut etmesine ba\u011flar. Zaten sosyolojide devrim nedenselli\u011fin kapana k\u0131s\u0131lmas\u0131d\u0131r. Dinde devrim mucizedir. Determinizmin s\u0131k\u0131\u015fmas\u0131d\u0131r. \u201cMakinala\u015fmak \u0130stiyorum\u201d dedirtti bu determinizm k\u0131tl\u0131\u011f\u0131.<br \/>\nDi\u015flilerin aras\u0131na s\u0131k\u0131\u015fan determinizm sanayile\u015fmeyi tezah\u00fcr ettirdi. Ard\u0131ndan sanayile\u015fme futurizm ile kaosu beraberinde getirdi. Kan\u0131, g\u00f6zya\u015f\u0131n\u0131\u2026 Ama hepsinden \u00f6nemlisi matematikle\u015fmeyi do\u011furdu. Soyut kavramlar\u0131n aras\u0131nda t\u0131k\u0131\u015f\u0131p kald\u0131 insano\u011flu.<br \/>\n\u015eiddeti do\u011fru tan\u0131mlak yetmiyor art\u0131k. \u015eiddetin sonu\u00e7lar\u0131 \u00fczerinde durmak da anlams\u0131z belki. Esas \u015fiddetin zuhur etmesine sebep olan \u00f6\u011feleri bulmak zorunday\u0131z. Hem de determinizme bel ba\u011flamadan. Makinaya, end\u00fcstriye ve b\u00fcsb\u00fct\u00fcn matemati\u011fe yani soyuta, idrak-i vehme. Y\u00f6nelmemiz gereken ise kainat, insan yani kendimiz, salt benli\u011fimiz, biz. \u00d6z beyni kusmak kafatas\u0131m\u0131zdan\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tarkovsky\u2026 Nostalgia filminin 1 damla 1&#8230;<\/p>\n","protected":false},"author":6,"featured_media":8646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67,53],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7942"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7942"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7942\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}