\n<\/strong>\u00a0 Bedri Rahmi Ey\u00fcbo\u011flu 1911\u2019de Giresun\u2019un G\u00f6rele il\u00e7esinde Mehmet Rahmi ve L\u00fctfiye \u00e7iftinin be\u015f \u00e7ocu\u011fundan ikincisi olarak d\u00fcnyaya gelir. Sanat\u00e7\u0131m\u0131z\u0131n as\u0131l ad\u0131 Ali Bedrettin\u2019dir lakin zamanla Ali ismi kullan\u0131lmaz ve Bedrettin olan ikinci ismi \u00f6nce Bedir sonras\u0131nda ise Bedri olarak \u015fekillenerek T\u00fcrk edebiyat\u0131na ve di\u011fer sanatlar\u0131na bu h\u00e2liyle kay\u0131tlara ge\u00e7er. Babas\u0131n\u0131n kaymakaml\u0131k mesle\u011finden \u00f6t\u00fcr\u00fc \u00e7ocuklu\u011fu Anadolu\u2019nun farkl\u0131 yerlerinde ge\u00e7er. Babas\u0131 Mehmet Rahmi Ey\u00fcbo\u011flu Trabzon milletvekili se\u00e7ildikten sonra ailecek Trabzon\u2019a yerle\u015firler ve b\u00f6ylelikle Bedri Rahmi Ey\u00fcbo\u011flu Trabzon Lisesi\u2019nde e\u011fitim g\u00f6r\u00fcr.
\n\u0130lk \u015fiirlerini lise d\u00f6neminde yazmaya ba\u015flayan sanat\u00e7\u0131 yine bu lisede yaln\u0131zca 7 ay resim \u00f6\u011fretmenli\u011fi yapan Zeki Kocamemi\u2019nin etkisinde kal\u0131r ve okul m\u00fcd\u00fcr\u00fcn\u00fcn de \u00f6zendirmesiyle 1929\u2019da \u0130stanbul G\u00fczel Sanatlar Akademisi (Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi)\u2019ne girer. Girdi\u011fi sanat akademisinde Nazmi Ziya ve \u0130brahim \u00c7all\u0131’n\u0131n \u00f6\u011frencisi olur. \u00dcniversite y\u0131llar\u0131nda edebiyata olan ilgisini de kaybetmez ve Ahmet Ha\u015fim\u2019den estetik ve mitoloji dersleri al\u0131r.
\nDaha mezun olmadan 1932 y\u0131l\u0131nda e\u011fitim bursu alan a\u011fabeyi Sabahattin Ey\u00fcbo\u011flu ile birlikte Fransa\u2019ya gider ve orada Frans\u0131zcas\u0131n\u0131 geli\u015ftirmeye \u00e7al\u0131\u015f\u0131r. Van Gogh ve Gauguin gibi sanat\u00e7\u0131lar kendisini mesle\u011fine daha da ba\u011flar. Fransa\u2019da bir ay s\u00fcreyle Andr\u00e9 Lhote’un at\u00f6lyesinde resim \u00e7al\u0131\u015f\u0131r. Burada Matisse, Brague ve Chagal\u2019\u0131n resimlerini ve kilim, minyat\u00fcr gibi T\u00fcrk geleneksel sanatlar\u0131n\u0131 incelerken ayn\u0131 zamanda ileride hayat\u0131n\u0131 birle\u015ftirece\u011fi e\u015fi Eren Ey\u00fcbo\u011flu (Ernestine Letoni) ile tan\u0131\u015fm\u0131\u015ft\u0131r. O d\u00f6nemde yapt\u0131\u011f\u0131 Yavuzlu ve G\u00fclcemalli resimleri o y\u0131lda baya\u011f\u0131 ilgi g\u00f6r\u00fcr. Daha sonra k\u0131sa bir Londra ziyaretinde de bulunarak sanatsal ufkunu biraz daha a\u00e7maya \u00e7al\u0131\u015f\u0131r.<\/p>\n
\u00a0 T\u00fcrkiye\u2019ye D\u00f6n\u00fc\u015f\u00fc ve B\u00fcy\u00fcyen Sanat Faaliyetleri \u00a0 \u00a0 ABD\u2019ye Gidi\u015fi ve Soyut Eserlere Ge\u00e7i\u015fi \u00a0 A\u011fabeyinin Sanat\u0131na Etkisi ve Vefat\u0131 \u00d6zlemle…<\/p>\n","protected":false},"excerpt":{"rendered":" \u015eiir, gezi ve deneme yaz\u0131lar\u0131, resim,…<\/p>\n","protected":false},"author":25,"featured_media":7580,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,62],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7579"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7579"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7579\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>\u00a0 1933 y\u0131l\u0131n\u0131n sonunda yurduna d\u00f6nen Bedri Rahmi Ey\u00fcbo\u011flu, 1934\u2019te Yeni Adam Dergisi\u2019nde ressam olarak \u00e7al\u0131\u015fmaya ba\u015flar ve \u015fiirleri baz\u0131 edebiyat dergilerinde yay\u0131mlan\u0131r. \u201cYol \u0130n\u015faat\u0131\u201d konulu resmi ile kat\u0131ld\u0131\u011f\u0131 Akademi Diploma yar\u0131\u015fmas\u0131nda \u00fc\u00e7\u00fcnc\u00fc olmaktan memnun olmaz ve yeniden haz\u0131rlanmak i\u00e7in mezun olmamay\u0131 g\u00f6ze al\u0131r. Yine ayn\u0131 y\u0131l i\u00e7erisinde birikmi\u015f 30 resmiyle D Grubu\u2019nun d\u00f6rd\u00fcnc\u00fc sergisine kat\u0131l\u0131r. \u0130lk ki\u015fisel sergisi ise Romanya\u2019ya g\u00f6nderdi\u011fi baz\u0131 resimleri ile kendi kat\u0131l\u0131m\u0131 olmadan 1 Ocak 1935\u2019te B\u00fckre\u015f\u2019te Hasefler Galerisi\u2019nde a\u00e7\u0131l\u0131r.
\n1936\u2019da Eren ad\u0131n\u0131 alan Ernestine Letoni ile evlenir ve Tekel Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde \u00e7al\u0131\u015fmaya ba\u015flar. Orada \u201cKo\u015fan M\u0131zrakl\u0131 Atlar\u201d fig\u00fcr\u00fcn\u00fc Sipahi Oca\u011f\u0131 sigaras\u0131n\u0131n kapa\u011f\u0131 olarak tasarlar. Cumhuriyet Devri\u2019nin ilk yurt d\u0131\u015f\u0131 sergisi olan ve Moskava\u2019da ger\u00e7ekle\u015ftirilen T\u00fcrk Resim ve Heykel Sergisi\u2019ne kat\u0131l\u0131r.
\nYine 1936 y\u0131l\u0131nda G\u00fczel Sanatlar Akademisi\u2019nin diploma yar\u0131\u015fmas\u0131nda \u2018Hamam\u2019 eseriyle birincili\u011fi kazan\u0131r ve Akademi\u2019nin Resim B\u00f6l\u00fcm\u00fc \u015eefi Frans\u0131z ressam Leopold Levy, Bedri Rahmi\u2019yi kendisine asistan olarak se\u00e7er. B\u00f6ylelikle akademik kariyeri uzun y\u0131llar s\u00fcrecek \u015fekilde ba\u015flar.
\nBir\u00e7ok ressam\u0131n da yer ald\u0131\u011f\u0131 CHP\u2019nin \u2018Yurt Gezileri\u2019 adl\u0131 k\u00fclt\u00fcr program\u0131 kapsam\u0131nda resim yapmak i\u00e7in Edirne\u2019ye gider. O d\u00f6nem resimlerinde insan fig\u00fcr\u00fc bar\u0131nd\u0131rmayan k\u00f6y manzaralar\u0131, k\u00f6y kahveleri, faytonlar ve Anadolu gelinleri gibi do\u011fa resimleri ve Anadolu\u2019ya ait g\u00f6r\u00fcn\u00fcmleri resmeder. Ard\u0131ndan Ses Dergisi yazarlar\u0131 aras\u0131nda yer alarak \u00e7e\u015fitli resimleri, desenleri ve deneme yaz\u0131lar\u0131 bu dergide yay\u0131mlar. Askeri g\u00f6revini 1941\u2019de tamamlad\u0131ktan sonra \u2018Yaradana Mektuplar\u2019 adl\u0131 ilk \u015fiir bas\u0131l\u0131r ve \u015fiirlerinde masal, deyi\u015f gibi t\u00fcrlere duydu\u011fu hayranl\u0131\u011f\u0131 yans\u0131t\u0131r.<\/p>\n![\"\"](\"http:\/\/127.154.2.23\/kadrandergi\/wp-content\/uploads\/2017\/08\/ozbeozcom-bedri-rahmi-eyuboglu-2.jpg\")
De\u011fi\u015fen Sanat Perspektifleri; Duvar Resimleri, Yazmac\u0131l\u0131k ve Mozaik
\n<\/strong>\u00a0 \u0130lerleyen y\u0131llarda yine \u2018Yurt Gezileri\u2019 ile \u00c7orum\u2019a ve \u0130skilip\u2019e gider, bu geziler Ey\u00fcbo\u011flu\u2019nun resim anlay\u0131\u015f\u0131 \u00fczerinde etkiler b\u0131rak\u0131r ve de\u011fi\u015ftirir. Bu de\u011fi\u015fimde eserlerinde yo\u011fun olarak halay \u00e7ekenler, han avlular\u0131, saz \u00e7alan a\u015f\u0131klar temalar\u0131 g\u00f6z\u00fck\u00fcr; \u2018H\u00fcz\u00fcn Geldi\u2019 \u015fiirindeki \u201cT\u00fcrk\u00fcler bitti \/Halaylar durdu \/Horonlar durdu \/Al damar, mor damar, \u015fah damar sustu\u201d dizeleri buna bir \u00f6rnektir.
\n1943\u2019te duvar resimlerine y\u00f6neldi\u011fi s\u0131rada ilk duvar resmini Ortak\u00f6y\u2019deki Lido Y\u00fczme Havuzu i\u00e7in yapar. \u0130kinci duvar resmini ise 1946 y\u0131l\u0131nda Ankara B\u00fcy\u00fck Tiyatro\u2019nun giri\u015findeki kap\u0131lar\u0131n \u00fcst\u00fcne yapar. Paris\u2019te UNESCO taraf\u0131ndan d\u00fczenlenen sergide g\u00f6nderdi\u011fi bu \u00e7al\u0131\u015fmalar baya\u011f\u0131 ilgi \u00e7eker.
\n1947 y\u0131l\u0131nda gen\u00e7 sanat\u00e7\u0131lardan olu\u015fan \u201810\u2019lar Grubu\u2019na \u00f6nc\u00fcl\u00fck eder ve grup k\u0131sa s\u00fcrede b\u00fcy\u00fcr. T\u00fcm bunlardan dolay\u0131 etraf\u0131ndaki insanlar kendisine ilgisini sadece resme verme konusunda telkinler verse de Bedri Rahmi \u015fiir yazmay\u0131 hi\u00e7 b\u0131rakmaz ve 1948\u2019de ikinci \u015fiir kitab\u0131 \u2018Karadut\u2019 yay\u0131mlan\u0131r.
\n1950\u2019de Ankara\u2019da \u2018retrospektif\u2019(ge\u00e7mi\u015fe d\u00f6n\u00fck) bir sergi d\u00fczenler ve ayn\u0131 y\u0131l Bedri Rahmi Ey\u00fcbo\u011flu, Paris\u2019te bulunan \u0130nsan M\u00fczesi\u2019nde ilkel kavimlerin sanat\u0131n\u0131 inceler. \u0130nceledi\u011fi bu eserlerde g\u00fczelin yararl\u0131, yararl\u0131n\u0131n g\u00fczel olabilece\u011fi d\u00fc\u015f\u00fcncesini benimseyerek i\u015flerinde bu felsefeyi yans\u0131t\u0131r. Yine bu felsefeyle \u2018Yazmac\u0131l\u0131k\u2019 sanat\u0131na yeni bir bak\u0131\u015f getirir ve 1951\u2019de ilk \u2018Yazma Sergisi\u2019ni a\u00e7ar. Ayn\u0131 esnada Bizans mozaikleriyle de ilgilenmeye ba\u015flar. 1953\u2019te Ey\u00fcbo\u011flu\u2019nun yazmalar\u0131 Philadelphia Print Club\u2019da sergilenir. 1954\u2019te ise \u2018T\u00fcrk Tepsisi\u2019 motifi ile Steubun Glass\u2019\u0131n d\u00fczenledi\u011fi bir yar\u0131\u015fmada \u00f6d\u00fcl kazand\u0131.
\nYaz\u0131 yazmak bir tutkuydu Ey\u00fcbo\u011flu i\u00e7in. 1953\u2019te \u00fc\u00e7\u00fcnc\u00fc \u015fiir kitab\u0131 \u2018Tuz\u2019u \u00e7\u0131kar\u0131rken, 1956\u2019da ilk d\u00fczyaz\u0131 kitab\u0131 \u2018Can\u0131m Anadolu\u2019 ve 1957\u2019de ise \u2018\u00dc\u00e7\u00fc Birden\u2019 adl\u0131 kitab\u0131 yay\u0131mlan\u0131r.
\n1960 y\u0131l\u0131na kadar b\u00fcy\u00fck boyutlu mozaiklerle u\u011fra\u015f\u0131r. Hilton ve Divan otellerinde panolar yapar. 1958 y\u0131l\u0131nda ise 227 metrekarelik mozaik \u00e7al\u0131\u015fmas\u0131yla alt\u0131n madalya kazan\u0131r. 1959\u2019da da Paris\u2019teki NATO yap\u0131s\u0131 i\u00e7in (\u015fu an Br\u00fcksel\u2019de) merkezine 50 metrekarelik bir pano haz\u0131rlar.<\/p>\n
\n<\/strong>\u00a0 Bedri Rahmi, e\u015fi Eren Han\u0131m ile beraber ABD\u2019ye giderek \u00e7al\u0131\u015fmalar\u0131na orada devam ederler. O d\u00f6nemde Ey\u00fcbo\u011flu,\u00a0 soyut bi\u00e7imlere y\u00f6nelir ve farkl\u0131 renkler bulabilme \u00e7abas\u0131na girer. \u0130ki y\u0131l Kaliforniya \u00dcniversitesi\u2019nde profes\u00f6rl\u00fck yapar. UNICEF yarar\u0131na bir motifi Amerika\u2019da kartpostal olarak bas\u0131l\u0131r. 1962 y\u0131l\u0131ndaysa \u2018Zincir\u2019 ad\u0131n\u0131 verdi\u011fi resmi New York Modern Sanat M\u00fczesi sat\u0131n al\u0131r.
\nABD d\u00f6n\u00fc\u015f\u00fcnde soyut resmi b\u0131rak\u0131p eski konular\u0131na d\u00f6nerek gecekondular\u0131 ve kahvehaneleri resmeder. Son panosu ise Etap Oteli\u2019nde bulunan \u2018G\u00fcvercinler\u2019 ad\u0131ndaki eseridir.<\/p>\n
\n<\/strong>\u00a0 T\u00fcrk ayd\u0131nlanmas\u0131na katk\u0131 sa\u011flayan Sabahattin Ey\u00fcbo\u011flu 12 Mart s\u00fcrecinde g\u00f6zalt\u0131na al\u0131n\u0131nca bu durum Bedri Rahmi Ey\u00fcbo\u011flu\u2019nu \u00e7ok etkiler. Bu y\u00fczden toplumsal i\u00e7eri\u011fi yo\u011fun olan konular\u0131 resmeder. 1972\u2019de ise 33. Devlet Resim ve Heykel Sergisi\u2019nde birincilik \u00f6d\u00fcl\u00fc al\u0131r.
\nMilletvekili Mehmet Rahmi Ey\u00fcbo\u011flu\u2019nun o\u011flu, T\u00fcrk ayd\u0131nlanmas\u0131n\u0131n \u00f6nc\u00fclerinden Sabahattin Ey\u00fcbo\u011flu\u2019nun ve ilk kad\u0131n mimarlardan Mualla Ey\u00fcbo\u011flu\u2019nun karde\u015fi bir\u00e7ok dal\u0131n ba\u015far\u0131l\u0131 sanat\u00e7\u0131s\u0131 Bedri Rahmi Ey\u00fcbo\u011flu 21 Eyl\u00fcl 1975\u2019te pankreas kanserinden \u0130stanbul\u2019da vefat eder.
\nEy\u00fcbo\u011flu sanat\u0131na her y\u00f6n\u00fcyle zenginlik katmay\u0131 ba\u015farm\u0131\u015ft\u0131r. Eserlerinde i\u015fledi\u011fi konular birbirleriyle \u00f6rt\u00fc\u015f\u00fcr ve amac\u0131 toplumun kanayan yaralar\u0131n\u0131 yans\u0131tmak olmu\u015ftur.<\/p>\n![\"\"](\"http:\/\/127.154.2.23\/kadrandergi\/wp-content\/uploads\/2017\/09\/bedri_1.jpg\")
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