{"id":11326,"date":"2022-02-02T02:26:46","date_gmt":"2022-02-01T23:26:46","guid":{"rendered":"http:\/\/kadrandergi.com.tr\/?p=11326"},"modified":"2022-02-02T02:26:46","modified_gmt":"2022-02-01T23:26:46","slug":"11326","status":"publish","type":"post","link":"https:\/\/www.kadrandergi.com.tr\/?p=11326","title":{"rendered":"Yery\u00fcz\u00fcne \u00d6vg\u00fc: Bah\u00e7elere Bir Yolculuk"},"content":{"rendered":"

“G\u00fcl\u00fcyor musunuz \u015fimdi bana,<\/em>
\n<\/em>K\u0131\u015f g\u00fcn\u00fc \u00e7i\u00e7ek d\u00fc\u015fleyen bu adama?” <\/em><\/p>\n

Schubert’in K\u0131\u015f Gezisi’nden…<\/em><\/p>\n

K\u0131\u015f mevsimini bir metropolde, y\u00fcksek binalar\u0131n m\u00fcsaade etti\u011fi \u00f6l\u00e7\u00fcde ba\u015f\u0131n\u0131 g\u00f6\u011fe kald\u0131r\u0131p g\u00f6kten d\u00fc\u015fecek taneleri bekleyerek kar\u015f\u0131layan; ancak asla aya\u011f\u0131 topra\u011fa de\u011fmeyenler i\u00e7in anla\u015f\u0131l\u0131r \u015fey \u201cBah\u00e7elere Bir Yolculuk\u201d arzusu. Kendi ger\u00e7ekli\u011fi i\u00e7inde bunu m\u00fcmk\u00fcn k\u0131lan\u0131n bir kitap olabilece\u011fi kimin akl\u0131na gelirdi? Chul Han’\u0131n ya\u015fam\u0131n t\u00fcm hareketlili\u011fi ve karga\u015fas\u0131 i\u00e7inde elimizden tutup, kendi bah\u00e7esinden yery\u00fcz\u00fcn\u00fcn melodisini duymaya davet ediyor olmas\u0131, tefekk\u00fcrdeki bir dervi\u015f edas\u0131yla a\u011f\u0131rlamas\u0131 bu -\u015fiirsel soluklanma-n\u0131n sonunda mihmandardan ayr\u0131lmay\u0131 epey zorla\u015ft\u0131r\u0131yor. Bah\u00e7esindeki g\u00fczel koku ve renkleri tastamam betimleyen, g\u00f6r\u00fcnt\u00fcleri ise benzersiz ill\u00fcstrasyonlarla (Isabella Gresser) imleyen yazar, i\u015fin i\u00e7ine bir de Alman filozof, yazar ve bestecilerin (H\u00f6lderlin, Heidegger, Adorno, Kant, Goethe, Schiller, Brecht, Rilke, Novalis, Schubert, Schumann ve Walter Benjamin) at\u0131flar\u0131n\u0131 kat\u0131nca ortaya bir eserden ziyade b\u00fcy\u00fcl\u00fc bir s\u0131\u011f\u0131nak \u00e7\u0131karm\u0131\u015f.<\/p>\n

Zaman zaman bilim insanlar\u0131 yaz\u0131p \u00e7izerler. Bug\u00fcn insanl\u0131k bir bunal\u0131m i\u00e7erisindeyse, bunun temelinde yatan sebebin do\u011fayla aram\u0131zdaki ba\u011f\u0131n zay\u0131flam\u0131\u015f olmas\u0131ndan dem vururlar. Bu noktada \u00e7ok bahsi ge\u00e7meyen bir disiplin devreye girer: Eko-psikoloji. Do\u011fadan kopman\u0131n getirdi\u011fi yabanc\u0131la\u015fma ve buhran\u0131, insan-do\u011fa ili\u015fkisini kar\u015f\u0131l\u0131kl\u0131 ve ka\u00e7\u0131n\u0131lmaz bir etkile\u015fim olarak ele alan Eko-psikoloji kendi s\u0131n\u0131rlar\u0131nda yap\u0131c\u0131 yakla\u015f\u0131mlar\u0131n da temellerini atar. Kozmos i\u00e7erisinde b\u00fct\u00fcn\u00fcn bir par\u00e7as\u0131 olarak anlam bulmak… Eko-psikolojinin sade form\u00fcl\u00fc. Do\u011fa-insan ba\u011f\u0131n\u0131 onararak hem insan\u0131 iyi etmek hem de kar\u015f\u0131l\u0131kl\u0131 fayday\u0131 g\u00f6zeterek bu b\u00fct\u00fcnselli\u011fi ger\u00e7ek anlamda kavratabilmek.<\/p>\n

\u201cBah\u00e7ede tecr\u00fcbe etti\u011fim \u015fey: Yery\u00fcz\u00fc b\u00fcy\u00fcd\u00fcr, bilmece ve s\u0131rd\u0131r. Ona s\u00f6m\u00fcr\u00fclecek bir kaynak gibi davran\u0131rsan\u0131z onu zaten tahrip etmi\u015fsiniz demektir.\u201d<\/em>
\n<\/em>
\nBah\u00e7eler, k\u00fc\u00e7\u00fck \u00f6zel alanlar. Parantez i\u00e7ine al\u0131nm\u0131\u015f k\u00fc\u00e7\u00fcc\u00fck c\u00fcmleler gibi. Do\u011fayla kurulan m\u00fcstakil ve mahrem bir ili\u015fki. Orada do\u011fayla sadece bir fiziksel temas de\u011fil, zihinsel bir etkile\u015fim de s\u00f6z konusudur. Yo\u011fun temas ve etkile\u015fim sonucu ortaya somut bir sunum \u00e7\u0131kar. Bakt\u0131\u011f\u0131m\u0131zda a\u011fa\u00e7lar, \u00e7i\u00e7ekler, farkl\u0131 t\u00fcrlerde bitkiler g\u00f6rsek de g\u00f6rmedi\u011fimiz bir ger\u00e7ek de vard\u0131r: Do\u011fa felsefi a\u00e7\u0131dan k\u0131\u015fk\u0131rt\u0131c\u0131d\u0131r, d\u00fc\u015f\u00fcnceyi harekete ge\u00e7irir. Edebi a\u00e7\u0131dan da ilham\u0131 \u00e7a\u011f\u0131r\u0131r, verimi artt\u0131r\u0131r. B\u00fcz\u00fcl\u00fcp dertop olmu\u015f zihni da\u011f\u0131t\u0131r, da\u011f\u0131n\u0131k olan\u0131 ise toparlama hususunda mahirdir. H\u00fczn\u00fc avutur, \u00f6fkeyi durultur. Z\u0131tl\u0131klar orada bir aradad\u0131r: Ya\u015famla \u00f6l\u00fcm, ye\u015fermeyle \u00e7\u00fcr\u00fcme, \u00e7o\u011falmayla azalma, k\u0131p\u0131rt\u0131s\u0131zl\u0131kla canl\u0131l\u0131k… Rayihalar\u0131n dans\u0131, bah\u00e7enin ruhudur ayn\u0131 zamanda. \u201cBah\u00e7e zaman\u0131 ba\u015fkalar\u0131n\u0131n zaman\u0131d\u0131r.\u201d Otantikli\u011fimize inat kendimizi merkezin en tepe noktas\u0131na yerle\u015ftirdi\u011fimiz bu \u00e7a\u011fda; bah\u00e7elerin zaman\u0131n\u0131 tan\u0131mak, kendi d\u0131\u015f\u0131m\u0131zdaki canl\u0131lar\u0131n kendilerine ait zamanlar\u0131n\u0131n kesi\u015fmesine \u015fahit olmak benmerkezcili\u011fimize \u015fifa olmayacaksa ne olabilir ki?<\/p>\n

\u201cBah\u00e7e \u00e7al\u0131\u015fmas\u0131 benim i\u00e7in sessiz bir meditasyondu, sessizlikte e\u011fle\u015fmekti.\u201d <\/em>B\u00f6yle ifade ediyor, bah\u00e7edeki \u00f6\u011frenme s\u00fcrecinin \u015fifal\u0131 hu\u015fusunu. Kitap \u00d6ns\u00f6z’\u00fc m\u00fcteakip 17 ba\u015fl\u0131k ve ard\u0131ndan \u201cBir Bah\u00e7\u0131van\u0131n G\u00fcncesi\u201d ba\u015fl\u0131kl\u0131 yazar\u0131n g\u00fcnl\u00fc\u011f\u00fc ile devam ediyor. Han bah\u00e7ecilik bilgeli\u011fini ke\u015ffederken, fizik-metafizik ge\u00e7i\u015fkenli\u011finde y\u00fcr\u00fctt\u00fc\u011f\u00fc sorgulama esnas\u0131nda zaman\u0131n bah\u00e7ede nas\u0131l geni\u015fledi\u011fini okuyucuya hayretle aktar\u0131yor. \u201cZaman\u0131n Kokusu\u201dnda verdiklerinin hasad\u0131n\u0131 bu kitab\u0131nda yap\u0131yor. Yery\u00fcz\u00fcn\u00fcn g\u00fczelli\u011finden, bu g\u00fczelli\u011fin \u00f6zeni hak etti\u011finden bahsederken, onu hissetmenin insan\u0131n \u00f6devi oldu\u011funun da alt\u0131n\u0131 \u00e7iziyor. Sat\u0131rlar\u0131n\u0131n yery\u00fcz\u00fcn\u00fc \u00f6ven ilahiler oldu\u011funu vurgularken, \u00f6zenin \u00f6vg\u00fc talebini de \u0131skalam\u0131yor. \u0130ki \u00f6z mottoyu \u00fcnl\u00fcyor sat\u0131r aralar\u0131nda: \u201cBilgi sevgidir.\u201d ve \u201c’Bah\u00e7e kurtulu\u015f yeridir.\u201d Mealen \u015f\u00f6yle i\u015faret ediyor kurtulu\u015fu: Deva bulmak isteyen yery\u00fcz\u00fcne d\u00f6ns\u00fcn. Kendine d\u00f6nmek isteyen, yery\u00fcz\u00fcne d\u00f6ns\u00fcn. Mutlulu\u011fa ermek isteyen ekranlara de\u011fil, topra\u011fa d\u00f6ns\u00fcn y\u00fcz\u00fcn\u00fc. Bizim Veysel’i bilseydi bir at\u0131f da ondan yapard\u0131 belki. G\u00f6rmeyen g\u00f6zlerine \u0131\u015f\u0131k, Anadolu’nun yoksul zamanlar\u0131na kat\u0131k etti\u011fi t\u00fcrk\u00fclerinin en bilineninde o da ayn\u0131 form\u00fcl\u00fc i\u015faret ediyor Han ile:<\/p>\n

”B\u00fct\u00fcn kusurumu toprak gizliyor.<\/em>
\n<\/em>Melhem \u00e7al\u0131p yaralar\u0131m d\u00fczl\u00fcyor.<\/em>
\n<\/em>Kolun a\u00e7m\u0131\u015f yollar\u0131m\u0131 g\u00f6zl\u00fcyor.<\/em>
\n<\/em>Benim sad\u0131k y\u00e2rim kara toprakt\u0131r.”<\/em>
\n<\/em>
\nSeneca “Ahlaki Mektuplar\u0131\u201dnda Epik\u00fcros’un bah\u00e7esinin giri\u015finde yazan s\u00f6zlere dair \u015f\u00f6yle der: \u201cEy yabanc\u0131! Burada mutlu olacak ve iyi vakit ge\u00e7ireceksin. Burada haz, en y\u00fcksek iyiliktir. Buran\u0131n bek\u00e7isi, bu nazik ev sahibi, emrinde olacak; seni her zaman ekmekle kar\u015f\u0131layacak ve sana bol bol su ikram ederken \u015f\u00f6yle diyecek: \u2018Yoksa iyi a\u011f\u0131rlanmad\u0131n m\u0131? Bu bah\u00e7e i\u015ftah\u0131n\u0131 kabartmaz, aksine onu doyurur. Sundu\u011fu her i\u00e7kiyle seni biraz daha susatmak yerine; susuzlu\u011funu do\u011fal bir tedaviyle giderir -\u00fccret gerektirmeyen bir tedavi-\u2026 \u0130\u015fte ben, bu hazz\u0131 duyarak ya\u015fland\u0131m.\u2019’\u00a0 <\/em><\/p>\n

Kendi d\u00f6neminin e\u011fitim mek\u00e2n\u0131 anlay\u0131\u015f\u0131ndan farkl\u0131 bir yol izleyerek se\u00e7ti\u011fi bah\u00e7e, zaman i\u00e7inde Epik\u00fcrc\u00fc okulun hazc\u0131l\u0131\u011f\u0131 i\u00e7in bir sembol haline gelecektir. Takip\u00e7ileri ise “Bah\u00e7e Filozoflar\u0131” olarak an\u0131lacak, M\u00d6 200’lerden bu yana hem \u00f6\u011fretisinden hem de bu \u00f6\u011fretinin do\u011fu\u015funa yurtluk etmi\u015f bah\u00e7eden XXI. Yy da bile s\u00f6z edilir olacak… O ilk\u00e7a\u011f filozoflar\u0131n\u0131n gitti\u011fi yoldan sapm\u0131\u015f, e\u011fitimi -kamusal- mek\u00e2nlarda s\u00fcrd\u00fcrmek yerine d\u00fc\u015f\u00fcncelerinin bah\u00e7esinde serpilip boy vermesini istemi\u015f; bah\u00e7eyi ger\u00e7ek anlamda bir \u00f6zg\u00fcrl\u00fck alan\u0131 olarak g\u00f6rm\u00fc\u015ft\u00fc. D\u00fc\u015f\u00fcncenin yuvalanabilece\u011fi, felsefenin fitilinin ate\u015flenebilece\u011fi en olas\u0131 yer, Epik\u00fcr’e g\u00f6re de bah\u00e7eydi.<\/p>\n

“Belki de \u00f6l\u00fcml\u00fc olmam\u0131z, topraktan kopuk olmam\u0131z\u0131n, serbest\u00e7e dola\u015fabilmemizin, kendi ayaklar\u0131m\u0131z\u0131n \u00fczerinde durabiliyor olmam\u0131z\u0131n a\u011f\u0131r bedelidir. \u00d6zg\u00fcrl\u00fck ayn\u0131 zamanda \u00f6l\u00fcml\u00fcl\u00fckt\u00fcr.”<\/em><\/p>\n

Han’\u0131n tabiriyle “\u0130yi akortlanm\u0131\u015f dijital d\u00fcnya”dan; onun \u0131s\u0131, ac\u0131, beden tan\u0131mayan hoyratl\u0131\u011f\u0131ndan, bah\u00e7enin zengin duyusall\u0131\u011f\u0131na g\u00f6n\u00fcll\u00fc bir ka\u00e7\u0131\u015f\u0131 ba\u015flat\u0131rken Schumann’\u0131n \u015eafak \u015eark\u0131lar\u0131’n\u0131n ilkinin gizemli auras\u0131n\u0131 yol az\u0131\u011f\u0131 yapmal\u0131 \u015fimdi. Tohumun baharda topraktan ba\u015f\u0131n\u0131 kald\u0131rd\u0131\u011f\u0131 an\u0131n dirili\u015fi var bu \u015fark\u0131larda ve geride b\u0131rak\u0131lan yabanc\u0131la\u015fman\u0131n melankolisi… H\u00f6lderlin konu\u015fsun biraz da:<\/p>\n

\u201cBiz yery\u00fcz\u00fcne cennetin \u00e7i\u00e7eklerinden biri<\/em>
\nVe cennete hayat\u0131n sonsuz bah\u00e7esi dedik.\u201d<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

“G\u00fcl\u00fcyor musunuz \u015fimdi bana, K\u0131\u015f g\u00fcn\u00fc…<\/p>\n","protected":false},"author":288,"featured_media":11327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11326"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/288"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11326"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11326\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}