Gecenin do\u011fum sanc\u0131s\u0131 ba\u015flamadan evvelki saatlerinde, musluktan damlayan suyun hacmine z\u0131t a\u011f\u0131rl\u0131\u011f\u0131n\u0131 hesaplamaya ba\u015flad\u0131\u011f\u0131n\u0131zda dikkat edin akl\u0131n\u0131za…<\/p>\n
Bir damla suyun beynin odalar\u0131ndan ge\u00e7erken demirden topuz gibi t\u00fcm kap\u0131lara vuru\u015funun g\u00fcr\u00fclt\u00fcs\u00fcn\u00fc, uykusuzlu\u011fun hal\u00fcsinasyonu diye nitelendirdi\u011finizde alarm\u0131 ciddiye al\u0131n…<\/p>\n
Pencere cam\u0131ndaki ayn\u0131 k\u00f6\u015feye kendini vurarak d\u0131\u015far\u0131 \u00e7\u0131kmak isteyen sine\u011fin, niyeti \u00f6zg\u00fcr olmak m\u0131 yoksa intihar etmek mi diye d\u00fc\u015f\u00fcnmeye ba\u015flad\u0131\u011f\u0131n\u0131zda kollay\u0131n ruhunuzu… Kanatlar\u0131n\u0131n i\u00e7inde var olan renkleri o g\u00fcne dek fark etmemi\u015f olman\u0131z pencereyi a\u00e7\u0131p \u00e7\u0131karmak istedi\u011finizde kopan kanad\u0131na de\u011fen g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131nda “fark etmenin b\u00fct\u00fcn\u00fcyle” k\u0131yasl\u0131yorsan\u0131z i\u00e7inizin \u00e7\u0131\u011fl\u0131\u011f\u0131n\u0131 dinleyin…<\/p>\n
Beden ruhun k\u0131yafetiydi, insan i\u00e7ine bakmay\u0131 unutup k\u0131l\u0131fla mutlu olabilece\u011fini varsayd\u0131.<\/p>\n
K\u0131yafeti \u00fct\u00fcledi durdu, ruhunun sesi f\u0131s\u0131lt\u0131dan \u00e7\u0131\u011fl\u0131\u011fa d\u00f6n\u00fc\u015f\u00fcnceye dek. Kendine yabanc\u0131la\u015fan insan\u0131n di\u011ferlerini anlayabilmesi zaten olanaks\u0131zd\u0131.<\/p>\n
Portekizli yazar Jos\u00e9 Saramago’ “K\u00f6rl\u00fck “adl\u0131 eserinde toplumsal duyars\u0131zl\u0131\u011f\u0131n sonu\u00e7lar\u0131n\u0131 anlatm\u0131\u015ft\u0131 okurlar\u0131na. Kan\u0131ksanan \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fcn yozla\u015fman\u0131n t\u00fcm topluma yay\u0131l\u0131\u015f\u0131 “k\u00f6rl\u00fck”metaforuyla kurgulanm\u0131\u015ft\u0131.<\/p>\n
Di\u011fer yandan Norve\u00e7li Ressam Edward Munch taraf\u0131ndan 1800’l\u00fc y\u0131llar\u0131n sonlar\u0131nda yap\u0131lan “\u00c7\u0131\u011fl\u0131k” adl\u0131 tablo (Skrik bo\u011funtu) ya ele\u015ftirmenler sanat\u00e7\u0131n\u0131n g\u00fcnl\u00fc\u011f\u00fcnden yola \u00e7\u0131karak anlamlar vermi\u015flerdi. Munch ‘un tablosundaki ana fig\u00fcr\u00fc cinsiyetsiz olarak resmetmi\u015f olmas\u0131 insan temas\u0131n\u0131n b\u00fct\u00fcn\u00fcne vurgu yapmak isteyi\u015finden olabilirdi. Tablolar\u0131n\u0131 tan\u0131mlarken;<\/p>\n
“\u0130\u00e7imdeki cinleri kovmak i\u00e7in s\u00fcrekli tuvale aktard\u0131\u011f\u0131m temalar ve imajlar\u0131d\u0131r.”Diyen ressam belki de i\u00e7indeki \u00e7\u0131\u011fl\u0131\u011f\u0131n sesini g\u00f6r\u00fcnt\u00fclemi\u015fti.<\/p>\n
Ruhumuzun sesini kapatt\u0131\u011f\u0131m\u0131zda bireysel trajedimiz, ya\u015fad\u0131\u011f\u0131m\u0131z toplumun \u00e7\u0131\u011fl\u0131klar\u0131na kulaklar\u0131m\u0131z\u0131 kapatt\u0131\u011f\u0131m\u0131zda toplumsal trajedimiz vizyona giriyordu. T\u0131pk\u0131 Saramago’nun roman\u0131nda anlatt\u0131\u011f\u0131 gibi.<\/p>\n
M\u00fchendislerinin;<\/p>\n
“Tanr\u0131n\u0131n bile bat\u0131ramaz” dedi\u011fi yolcu gemisi Titanic’i \u00e7o\u011fumuz biliriz. Kazadan kurtulanlar\u0131n anlatt\u0131klar\u0131m\u0131yd\u0131 bildiklerimiz yoksa hayali senaryolar m\u0131yd\u0131 cevab\u0131 muamma. Leonardo Di Caprio’nun ba\u015frol\u00fcn\u00fc oynad\u0131\u011f\u0131 muhte\u015fem filmdeki m\u00fczisyenlerin, geminin suya g\u00f6m\u00fclmesine dek \u015fark\u0131lar \u00e7almalar\u0131m\u0131yd\u0131 ger\u00e7ek, filikalara binebilmi\u015f \u015fansl\u0131lar\u0131n(1.s\u0131n\u0131f yolcular\u0131n), denize d\u00fc\u015fenlerin \u00e7\u0131\u011fl\u0131k atanlar\u0131n yard\u0131m isteyenlerin seslerini duymamak i\u00e7in \u015fark\u0131lar s\u00f6ylediklerimi? Hangisi insano\u011flunun hayatta kalma d\u00fcrt\u00fcs\u00fcn\u00fcn yapabilecekleriyle \u00f6rt\u00fc\u015f\u00fcyor?<\/p>\n
D\u00fcnyan\u0131n tan\u0131kl\u0131k etmedi\u011fi \u015feyler de\u011fildi hani, ac\u0131lardan yarat\u0131lan ill\u00fczyonlar…<\/p>\n
\u00c7irkin kaba, ilkel ger\u00e7ekleri renkli sihir tozlar\u0131yla bezeyip paketlemek, sonrada onlar\u0131 satmak. Beyaz perdenin en eski gelene\u011fi olabilir miydi?<\/p>\n
\u00d6rne\u011fin;<\/p>\n
\u0130\u015fgal edilen s\u00f6m\u00fcr\u00fclen co\u011frafyalar\u0131n ac\u0131lar\u0131 yokluklar\u0131 \u00fczerinden yapt\u0131klar\u0131 filmlerde s\u00f6m\u00fcr\u00fc sisteminin par\u00e7as\u0131 olanlardan kahramanlar yaratmak, yapt\u0131klar\u0131 filmleri posas\u0131n\u0131 \u00e7\u0131kartt\u0131klar\u0131 \u00fclkelere satmak. A\u00e7l\u0131\u011fa yoklu\u011fa sebep olanlarla denkla\u015ft\u00f6re basan parma\u011f\u0131n ayn\u0131 millet olu\u015fu ve insanl\u0131k ad\u0131na en prestijli yar\u0131\u015fmalarda verilen birincilikler… T\u00fcm bunlar hasta ruhumun kurgusu mu, yoksa s\u00fcregelen bir oyun mu?<\/p>\n
Titanic den kurtulan yolcular y\u0131llar sonra \u00e7ocuklar\u0131yla konu\u015furken;<\/p>\n
“Ba\u015fka \u015fans\u0131m yoktu, hayatta kalmal\u0131yd\u0131m” m\u0131 demi\u015flerdir, yoksa<\/p>\n
“Bu g\u00fcne dek her gece o \u00e7\u0131\u011fl\u0131klar\u0131 duydum. Denizin \u00fczerindeki cesetlerin y\u00fczleri gitmedi g\u00f6zlerimden. Ke\u015fke o gece bir ki\u015fiye daha yer a\u00e7abilmek i\u00e7in \u00e7aba sarf etseydim, ya da onlarla birlikte \u00f6lseydim.”mi demi\u015flerdir?<\/p>\n
Sizce?<\/p>\n
Hem ruhumuzun, hem di\u011ferlerinin \u00e7\u0131\u011fl\u0131klar\u0131 i\u00e7inde s\u00fck\u00fbnet hayal eden bir avu\u00e7 d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131y\u0131z hepimiz…<\/p>\n","protected":false},"excerpt":{"rendered":"
Gecenin do\u011fum sanc\u0131s\u0131 ba\u015flamadan evvelki saatlerinde,…<\/p>\n","protected":false},"author":296,"featured_media":11364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11274"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/296"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11274"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}