{"id":11202,"date":"2021-11-08T02:30:07","date_gmt":"2021-11-07T23:30:07","guid":{"rendered":"http:\/\/kadrandergi.com.tr\/?p=11202"},"modified":"2021-11-08T02:30:07","modified_gmt":"2021-11-07T23:30:07","slug":"chocalate-ya-da-bir-tutam-kirmizi","status":"publish","type":"post","link":"https:\/\/www.kadrandergi.com.tr\/?p=11202","title":{"rendered":"Chocalate ya da Bir Tutam K\u0131rm\u0131z\u0131"},"content":{"rendered":"

\u201c\u00d6l\u00fc bir kentin meydan\u0131nda durup k\u0131rm\u0131z\u0131 ayakkab\u0131lar\u0131 ba\u011fl\u0131yorum…<\/em><\/p>\n

Bana ait de\u011filler, anneminler.<\/em><\/p>\n

Ona da annesinden kalm\u0131\u015f.<\/em><\/p>\n

Bir aile yadig\u00e2r\u0131 gibi elden ele ge\u00e7mi\u015f<\/em><\/p>\n

Ama y\u00fcz k\u0131zart\u0131c\u0131 mektuplarm\u0131\u015f\u00e7as\u0131na gizlenmi\u015fler de.<\/em><\/p>\n

Ait olduklar\u0131 evler ve sokaklar da gizlenmi\u015f, t\u0131pk\u0131 b\u00fct\u00fcn kad\u0131nlar gibi…\u201d<\/em><\/p>\n

\u00a0<\/em><\/p>\n

K\u0131rm\u0131z\u0131 Ayakkab\u0131lar\u00a0\/ Anne Sexton<\/em><\/p>\n

 <\/p>\n

\u201cChocalate\u201d filmi Joanne Harris\u2019in ayn\u0131 adl\u0131 roman\u0131ndan, y\u00f6netmenli\u011fini Lasse Hallstr\u00f6m\u2019un yapt\u0131\u011f\u0131, 5 dalda Oscar\u2019a aday olmu\u015f, 2000 yap\u0131m\u0131 ba\u015far\u0131l\u0131 bir uyarlama. Juliette Binoche ve Johnny Deep\u2019i filmin afi\u015finde o romantik poz ile g\u00f6r\u00fcp, beklentiyi tutkulu bir a\u015fk hik\u00e2yesine kayd\u0131rmayan yoktur san\u0131r\u0131m. Ancak film alelade bir a\u015fk hik\u00e2yesinden de \u00e7ikolatadan da \u00e7ok daha fazlas\u0131.<\/p>\n

\u201cAnlat\u0131c\u0131(Anouk): Bir zamanlar, Frans\u0131z k\u0131rsal\u0131nda k\u00fc\u00e7\u00fck sessiz bir kasaba vard\u0131, insanlar\u0131n\u0131n s\u00fck\u00fbnete inand\u0131\u011f\u0131 bir kasabayd\u0131 buras\u0131.\u201d<\/p>\n

Y\u0131l 1959… Fransa\u2019n\u0131n k\u0131rsal kesiminde muhafazak\u00e2r bir kasaba. So\u011fuk ve r\u00fczg\u00e2rl\u0131 bir k\u0131\u015f g\u00fcn\u00fcnde k\u0131rm\u0131z\u0131 paltolar\u0131 ile kasabaya giren bir anne-k\u0131z\u0131n (Vienna ve Anouk) g\u00f6\u00e7men hayat\u0131n\u0131n yeni dura\u011f\u0131. Paskalya \u00f6ncesi b\u00fcy\u00fck perhiz zaman\u0131nda kilisenin kar\u015f\u0131s\u0131nda bir \u00e7ikolata d\u00fckk\u00e2n\u0131 a\u00e7acak kadar cesur bu g\u00fczel ve bek\u00e2r anne, zaman i\u00e7inde kasaban\u0131n a\u015f\u0131r\u0131 muhafazak\u00e2r belediye ba\u015fkan\u0131n\u0131n hedefi haline gelir. Nas\u0131l gelmesin ki? Vienna ne kiliseye gider, ne oru\u00e7 tutar, ne dini g\u00fcnleri kutlar; dahas\u0131 renksiz kasaba halk\u0131n\u0131n aksine hem renkli hem de e\u011flenceli bir ki\u015filiktir. Comte ise sadece bir belediye ba\u015fkan\u0131 de\u011fil, kendini kasaba halk\u0131n\u0131n ahlak\u0131ndan da sorumlu hisseden otoriter bir fig\u00fcrd\u00fcr.<\/p>\n

(O\u011flan \u00e7ocuklar\u0131, yeni a\u00e7\u0131lmakta olan \u00e7ikolata d\u00fckk\u00e2n\u0131n\u0131 dikizlerken):<\/p>\n

– Onun bir ateist oldu\u011funu duydum.<\/p>\n

– O da ne?<\/p>\n

– Bilmiyorum.<\/p>\n

\u00c7ikolata filmde; nefis m\u00fccadelesi, bast\u0131r\u0131lm\u0131\u015f duygular, kar\u015f\u0131 konulamayan g\u00fcnah\u0131 sembolize ediyor. Dolay\u0131s\u0131yla Vienna Rocher (Juliette Binoche), belediye ba\u015fkan\u0131na g\u00f6re \u00c2dem\u2019e elma veren Havva\u2019n\u0131n ta kendisi; gayrime\u015fru k\u0131z \u00e7ocu\u011funun ahlaks\u0131z annesidir. Kasaban\u0131n muhafazak\u00e2r halk\u0131 taraf\u0131ndan pek de ho\u015f kar\u015f\u0131lanmaz anne k\u0131z\u0131n geli\u015fi.<\/p>\n

\u201cOkul arkada\u015f\u0131: Annem, senin baban olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.<\/p>\n

Anouk (Vianne\u2019in k\u0131z\u0131): Tabii ki var, sadece kim oldu\u011funu bilmiyoruz.\u201d<\/p>\n

Belediye ba\u015fkan\u0131 Comte, Vienna\u2019e kar\u015f\u0131 bir cephe yarat\u0131r ve sava\u015f\u0131n fitilini ate\u015fler. Vienna i\u00e7in mahzuru yoktur. O, daha \u00f6nce bulundu\u011fu kasabalarda giri\u015fti\u011fi m\u00fccadele ile bireylerin toplum de\u011ferlerini sorgulamas\u0131 ve b\u00f6ylece bir isyan ruhu geli\u015ftirmelerini sa\u011flama konusunda talimlidir.<\/p>\n

\u201cAnlat\u0131c\u0131(Anouk): Bu kasabada, g\u00f6rmemeniz gereken bir \u015fey g\u00f6r\u00fcrseniz, ba\u015fka yere bakmay\u0131 \u00f6\u011frenirdiniz. Bir ihtimal hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frarsan\u0131z, daha fazlas\u0131n\u0131 istememeyi \u00f6\u011frenirdiniz. B\u00f6ylece; iyi ve k\u00f6t\u00fc zamanlar, k\u0131tl\u0131k ve ziyafet d\u00f6nemleri boyunca, kasabal\u0131lar geleneklerine s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131 kald\u0131lar. Ta ki bir k\u0131\u015f g\u00fcn\u00fc, kuzeyden yaramaz bir r\u00fczg\u00e2r esene kadar…\u201d<\/p>\n

\u015eehre k\u0131rm\u0131z\u0131 paltolar\u0131 ile girmi\u015fti anne-k\u0131z. Renklerin dili \u00f6nemli… K\u0131rm\u0131z\u0131; canl\u0131l\u0131k, giri\u015fkenlik, mutluluk, irade, h\u0131rs, k\u0131zg\u0131nl\u0131k, cinsel g\u00fc\u00e7 gibi anlamlar ta\u015f\u0131yan etkisi en kuvvetli renktir. K\u0131rm\u0131z\u0131n\u0131n se\u00e7ilmesi tesad\u00fcf de\u011fil. Ayart\u0131c\u0131 k\u0131rm\u0131z\u0131, k\u0131\u015fk\u0131rt\u0131c\u0131 \u00e7ikolata. Kasaba halk\u0131n\u0131n siyah-gri giyimlerine-hayatlar\u0131na kar\u015f\u0131, Vienna\u2019in renkli se\u00e7imleri. Bu nezih kasabada herkesin bir rol\u00fc vard\u0131r ve filmin ba\u015f\u0131nda anlat\u0131c\u0131 bu rolleri bilhassa vurgular:<\/p>\n

\u201cAnlat\u0131c\u0131 (Anouk): Bu kasabada ya\u015f\u0131yorsan\u0131z, sizden ne beklendi\u011fini bilirdiniz. Olaylar\u0131n ak\u0131\u015f\u0131ndaki yerinizi bilirdiniz. E\u011fer unutursan\u0131z da biri hat\u0131rlaman\u0131za mutlaka yard\u0131mc\u0131 olurdu.\u201d<\/p>\n

Kasabadaki mevcut durum erkek egemenli\u011fini desteklemektedir. Evlilik, kilise, dini bayramlar gibi maddi-manevi yap\u0131lar mevcut stat\u00fckonun devaml\u0131l\u0131\u011f\u0131 i\u00e7in vard\u0131r. Bu u\u011furda kasaban\u0131n yeni ve tecr\u00fcbesiz pederini de din olgusunu da kullanmaktan \u00e7ekinmez Comte. O, bu devaml\u0131l\u0131\u011f\u0131n y\u0131lmaz muhaf\u0131z\u0131d\u0131r. Kar\u0131s\u0131 taraf\u0131ndan terk edilmi\u015f, ancak bu durumu kendine yediremedi\u011fi i\u00e7in reddetme yolunu se\u00e7mi\u015f, g\u00f6nl\u00fc yaral\u0131 bir muhaf\u0131z. Belediye ba\u015fkan\u0131n\u0131n ba\u015fyard\u0131mc\u0131s\u0131 Caroline ise e\u015finin uygulad\u0131\u011f\u0131 \u015fiddetten ka\u00e7\u0131p Vienna\u2019e s\u0131\u011f\u0131nan Josephine\u2019e kar\u015f\u0131 olan tavr\u0131yla kad\u0131n\u0131n kad\u0131na olan eril bak\u0131\u015f\u0131n\u0131 trajik bir bi\u00e7imde \u00f6rnekler. O erkek egemenli\u011finin g\u00f6n\u00fcll\u00fc di\u015fi neferidir. Bunda Caroline\u2019nin \u00f6lm\u00fc\u015f kocas\u0131n\u0131n yoklu\u011funu din ile doldurmas\u0131n\u0131n katk\u0131s\u0131 b\u00fcy\u00fckt\u00fcr. Din alg\u0131s\u0131, d\u00fcnyev\u00ee zevkleri \u00f6nemsiz k\u0131lman\u0131n en etkili form\u00fcl\u00fcd\u00fcr. Mutluluk ve refah \u00f6l\u00fcm sonras\u0131na ertelenmi\u015ftir. O\u011flu Luc ise bundan dolay\u0131 \u201c\u00f6l\u00fcm\u201d imgesini \u00e7izdi\u011fi resimlerin eksenine oturtur.<\/p>\n

Caroline\u2019in yeterince dindar olmayan ve d\u00fcnyevi zevklerini ertelemeyen annesi Armande, ayn\u0131 zamanda Vienna\u2019in d\u00fckk\u00e2n sahibesidir. K\u0131z\u0131yla ayr\u0131 d\u00fcnyalar\u0131n insan\u0131 olan bu ya\u015fl\u0131 kad\u0131n onunla ya\u015fad\u0131\u011f\u0131 \u00e7at\u0131\u015fman\u0131n aksine, Vienna ile bir o kadar yak\u0131nd\u0131r.<\/p>\n

\u201cVianne: Anouk, ne oldu anlat bana.<\/p>\n

Anouk: Sen \u015eeytan\u2019\u0131n yard\u0131mc\u0131s\u0131 m\u0131s\u0131n?<\/p>\n

Vianne: \u015eey… Farkl\u0131 olmak kolay de\u011fil.<\/p>\n

Anouk: Neden biz de kiliseye gidemiyoruz?<\/p>\n

Vianne: \u0130stiyorsan gidebilirsin… Ama bu i\u015fleri kolayla\u015ft\u0131rmaz.<\/p>\n

Anouk: Neden sen de di\u011fer anneler gibi siyah ayakkab\u0131lar giyemiyorsun?\u201d<\/p>\n

 <\/p>\n

Soru, bu \u00e7er\u00e7eveden bak\u0131ld\u0131\u011f\u0131nda filmde anlat\u0131lmak istenen \u00f6z kad\u0131n ve onu bast\u0131rmaya \u00e7al\u0131\u015fan k\u00fclt\u00fcr paradigmas\u0131n\u0131n en net \u00f6zetidir. Vienna renkli oldu\u011fu kadar yumu\u015fak \u00fcslubuyla da kasaba halk\u0131n\u0131n g\u00f6nl\u00fcn\u00fc zaman i\u00e7inde fetheder. O sadece bir \u00e7ikolata uzman\u0131 de\u011fil, karakterleri de ustaca analiz edip, sorunlar\u0131n\u0131 do\u011fru te\u015fhis eden bir \u015fifac\u0131d\u0131r. Evet, Vienna bir \u015fifac\u0131d\u0131r ve kad\u0131nlara varl\u0131\u011f\u0131ndan haberdar bile olmad\u0131klar\u0131 k\u0131rm\u0131z\u0131 ayakkab\u0131lar\u0131n\u0131 fark ettirecektir. Tek tek bireylerde ba\u015flad\u0131\u011f\u0131 sa\u011faltma i\u015fleminin t\u00fcm kasaban\u0131n k\u00fclt\u00fcr\u00fcn\u00fc de\u011fi\u015ftirmesine tan\u0131k olacakt\u0131r. Kasaba halk\u0131n\u0131 etkiledi\u011fi gibi kendi de bir noktada etkileniyor onlardan. Bilhassa kocas\u0131 taraf\u0131ndan benli\u011fi bast\u0131r\u0131lm\u0131\u015f, ruhu \u00f6rselenmi\u015f Josephine\u2019den. Bir de rahats\u0131zl\u0131\u011f\u0131 vard\u0131r Josephine\u2019in: Kleptomani (\u00e7alma hastal\u0131\u011f\u0131). Freud bu hastal\u0131\u011f\u0131n sebebini otorite taraf\u0131ndan bask\u0131 g\u00f6ren bireyin i\u00e7sel \u00e7at\u0131\u015fmalar\u0131 olarak izah eder. Vienna\u2019in insani yakla\u015f\u0131m\u0131 ona bir birey oldu\u011funu tekrar hat\u0131rlat\u0131r. Onun varl\u0131\u011f\u0131 Josephine i\u00e7in art\u0131k umuttur, g\u00fc\u00e7t\u00fcr.<\/p>\n

\u201cVianne: Bunlar da kocan\u0131z i\u00e7in. Guatemala\u2019dan ham kakao damlac\u0131klar\u0131, tutkuyu uyand\u0131rmak i\u00e7in.<\/p>\n

Yvette: Kocamla hi\u00e7 kar\u015f\u0131la\u015fmad\u0131\u011f\u0131n\u0131z belli.<\/p>\n

Vianne: As\u0131l sizin bunlar\u0131 hi\u00e7 denemedi\u011finiz belli.\u201d<\/p>\n

G\u00f6\u00e7ebe bir ya\u015fam s\u00fcren, \u00f6zg\u00fcrl\u00fc\u011f\u00fcne d\u00fc\u015fk\u00fcn \u00e7ingenelerin kasabaya geli\u015fi Comte\u2019u daha da \u00e7ok gerer. T\u0131pk\u0131 Vienna gibi g\u00f6\u00e7ebe olan, Johnny Depp\u2019in canland\u0131rd\u0131\u011f\u0131 Roux karakteri de i\u00e7inde bulundu\u011fu \u00e7ingene grupla birlikte kasaba halk\u0131 taraf\u0131ndan \u00f6tekile\u015ftirilmi\u015ftir. Mevcut kader ortakl\u0131\u011f\u0131 Vienna ve Roux\u2019u yak\u0131nla\u015ft\u0131r\u0131r. Toplumun eritti\u011fi bireyleri yeniden \u00f6zg\u00fcrl\u00fcklerine kavu\u015fturmak Vienna\u2019in annesinden miras, kutsal vazifesidir.<\/p>\n

\u201cRoux (\u00e7ingene): Seni uyarmam laz\u0131m: bizimle dost olursan, di\u011fer herkesle d\u00fc\u015fman olursun.<\/p>\n

Vianne: S\u00f6z veriyor musun?<\/p>\n

Roux: Garanti veriyorum.\u201d<\/p>\n

Vianne kasabal\u0131n\u0131n \u00f6nyarg\u0131s\u0131n\u0131 k\u0131rmak i\u00e7in ya\u015fl\u0131 dostu Armande\u2019nin 70. ya\u015f g\u00fcn\u00fc i\u00e7in bir parti d\u00fczenler ve bu partinin ikinci k\u0131sm\u0131n\u0131 \u00e7ingenelerin konaklad\u0131\u011f\u0131 yerde yapar.\u00a0Kasaba halk\u0131 ve \u00e7ingene topluluk aras\u0131ndaki kayna\u015fmay\u0131 bu yolla nispeten sa\u011flam\u0131\u015f olur. Kasaba halk\u0131n\u0131n vah\u015fi benlikleriyle tekrar ileti\u015fime ge\u00e7ip yarat\u0131c\u0131 ruhlar\u0131n\u0131n \u00fczerindeki tozu atmaya, di\u011fer taraftan Vienna ve Anouk\u2019un da kendilerini anlayan ve ayn\u0131 dilde \u015fark\u0131lar s\u00f6yleyerek yarat\u0131c\u0131 s\u00fcre\u00e7lerine kollektiflik katacak bir topluma ihtiya\u00e7lar\u0131 vard\u0131r.\u00a0Vienna, ba\u015fkalar\u0131 kadar kendisinin de de\u011fi\u015fme, yerle\u015fme vaktinin geldi\u011fini anlar ve kabullenir.<\/p>\n

Yenilgiyi hazmedemeyen belediye ba\u015fkan\u0131n\u0131n Vienna\u2019in d\u00fckk\u00e2n\u0131n\u0131n vitrinini darmada\u011f\u0131n etmesi, \u00e7ikolatadan fig\u00fcrleri elindeki b\u0131\u00e7akla par\u00e7alamas\u0131, kad\u0131n g\u00fcc\u00fc sembol\u00fcn\u00fcn erkek taraf\u0131ndan sald\u0131r\u0131ya u\u011framas\u0131n\u0131 \u00f6rnekler. Tam da o noktada duda\u011f\u0131n\u0131n kenar\u0131na bula\u015fan \u00e7ikolata par\u00e7ac\u0131\u011f\u0131n\u0131n tad\u0131n\u0131 almas\u0131yla kad\u0131n bak\u0131\u015f\u0131n\u0131n vadetti\u011fi \u00f6zg\u00fcrl\u00fc\u011fe teslim olur Comte. Paskalya sabah\u0131 vaizin yapt\u0131\u011f\u0131 konu\u015fma ise kasabadaki ataerkil ve m\u00fcsamahas\u0131z d\u00fczenin kaybetti\u011finin bir t\u00fcr ilan\u0131, yeni insan\u00ee d\u00f6nemin ba\u015flang\u0131c\u0131d\u0131r:<\/p>\n

\u201cBug\u00fcnk\u00fc vaaz\u0131n konusunun ne olmas\u0131 gerekti\u011finden emin de\u011filim. Tanr\u0131\u2019n\u0131n ilahi, d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fcn mucizesi hakk\u0131nda m\u0131 konu\u015fmak istiyorum? Asl\u0131nda hay\u0131r. Onun, ilahili\u011finden, bahsetmek istemiyorum. Onun merhametini anlatmak istiyorum. Yani, bildi\u011finiz gibi, aram\u0131zda nas\u0131l ya\u015fad\u0131\u011f\u0131ndan. \u015eefkatini. Ho\u015fg\u00f6r\u00fcs\u00fcn\u00fc. Bak\u0131n ne d\u00fc\u015f\u00fcn\u00fcyorum. Bence yapmad\u0131\u011f\u0131m\u0131z \u015feyleri d\u00fc\u015f\u00fcnerek ya\u015famaya devam edemeyiz. Kendimizden esirgedi\u011fimiz \u015feyleri kar\u015f\u0131 koydu\u011fumuz ve d\u0131\u015far\u0131da tuttu\u011fumuz \u015feyleri ink\u00e2r edemeyiz. Bana kal\u0131rsa iyili\u011fi kucaklad\u0131\u011f\u0131m\u0131z yaratt\u0131\u011f\u0131m\u0131z ve ya\u015fad\u0131\u011f\u0131m\u0131z \u015feylerle \u00f6l\u00e7ebiliriz.\u201d<\/p>\n

Vaaz\u0131n temas\u0131 farkl\u0131l\u0131klar\u0131na ra\u011fmen her kesimin ho\u015fg\u00f6r\u00fcy\u00fc hak etti\u011fidir. Bu tam da Vianne\u2019nin kasabal\u0131y\u0131 ikna etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 duru\u015ftur. Patriarkal sistemin erke\u011fin kalbine giden yolu bulmas\u0131 i\u00e7in kad\u0131n\u0131n egemenli\u011fine verdi\u011fi mutfak, bu cinsiyet kazand\u0131r\u0131lm\u0131\u015f mek\u00e2n; ilgin\u00e7 bir \u015fekilde yine o sistemi y\u0131kacak hareketin \u00fcss\u00fc oluveriyor filmde. Hareketin lideri durumundaki Vienna, mutfa\u011f\u0131na mevzilenerek ba\u015farm\u0131\u015f, annesinin ruhu huzur bulmu\u015ftur. Filmin sonunda ald\u0131\u011f\u0131 m\u00fck\u00e2fat ise kasabaya geri d\u00f6nen Roux olmu\u015ftur. Genellikle filmlerde mutlu sonun erke\u011fe m\u00fck\u00e2fat\u0131 olarak kad\u0131n\u0131n nesnele\u015ftirilmesine al\u0131\u015f\u0131k izleyici; Chocolate filminde erkek karakterin m\u00fck\u00e2fat konumunda olmas\u0131 ile ezberlerini bozmak zorunda kal\u0131yor. Senaryo daha da anlaml\u0131 bir hal al\u0131yor.<\/p>\n

Derya \u015eaman Kayal\u0131\u2019n\u0131n \u201cKad\u0131n Bedeni ve \u00d6zg\u00fcrle\u015fme\u201d adl\u0131 eserinde yapt\u0131\u011f\u0131 tespit filmin ana fikri ba\u011flam\u0131nda adeta bir \u00f6zet mahiyetindedir:<\/p>\n

\u201cToplumsal de\u011fi\u015fim toplum taraf\u0131ndan marjinalle\u015ftirilen kad\u0131nlar taraf\u0131ndan ger\u00e7ekle\u015ftirilecektir. Gilman\u2019a g\u00f6re kad\u0131nlar \u00e7ocuklar\u0131, gen\u00e7leri b\u00fcy\u00fcten, yeti\u015ftiren, bakan, besleyen, sevgi ve i\u015fbirli\u011fi gibi k\u00fclt\u00fcrel de\u011ferleri yarat\u0131rken iktidardan uzakla\u015ft\u0131r\u0131lm\u0131\u015flard\u0131r. Bu nedenle daha dengeli ve daha sa\u011fl\u0131kl\u0131 bir toplumu yaratmak, d\u0131\u015far\u0131da b\u0131rak\u0131lm\u0131\u015f kad\u0131nlar taraf\u0131ndan olabilecektir.\u201d<\/p>\n

Sexton\u2019un \u015fiirinde bahsetti\u011fi gibi \u00e7o\u011fu kad\u0131n \u00f6z miras\u0131n\u0131 sand\u0131klar\u0131n dibine g\u00f6m\u00fcp konunun kom\u015funun g\u00f6rmemesi i\u00e7in dua eder. \u00c7\u00fcnk\u00fc i\u00e7inde ya\u015fad\u0131\u011f\u0131 toplumda kad\u0131nlardan siyah ayakkab\u0131 giymesi, itaat etmesi, kocas\u0131ndan \u015fiddet g\u00f6r\u00fcyor olsa dahi kutsal evlilik ba\u011f\u0131na duydu\u011fu sayg\u0131dan \u00f6t\u00fcr\u00fc onun yan\u0131nda kalmas\u0131 ve o kocan\u0131n \u00f6l\u00fcm\u00fcnden sonra yas\u0131n\u0131 tutan bir dul olarak hepten siyahlara g\u00f6m\u00fclmesi beklenir. Bu sebeple kad\u0131n ondan \u00f6nceki ku\u015faklardan miras ald\u0131\u011f\u0131 vah\u015fi ve yarat\u0131c\u0131 g\u00fcc\u00fc bast\u0131rmak, onun i\u00e7g\u00fcd\u00fclerin sesi olarak kendisini ifade etmesini engellemek i\u00e7in k\u00fc\u00e7\u00fck ya\u015ftan itibaren e\u011fitime t\u00e2bi tutulur. Uyumlu ve itaatk\u00e2r olmas\u0131 sa\u011flan\u0131r. \u00dcstelik bu, sadece erkekler taraf\u0131ndan dikte edilmez kendisine; aksine onu en \u00e7ok ikaz edenler, k\u0131rm\u0131z\u0131 ayakkab\u0131lar\u0131n\u0131 y\u00fcz k\u0131zart\u0131c\u0131 ger\u00e7eklikleriymi\u015f\u00e7esine gizleyen daha ya\u015fl\u0131 kad\u0131nlar olacakt\u0131r.<\/p>\n

Her kad\u0131n\u0131n ailesinden yadig\u00e2r k\u0131rm\u0131z\u0131 ayakkab\u0131lar\u0131 vard\u0131r. Zaman i\u00e7inde renkleri solsa dahi bir zamanlar olduklar\u0131 k\u0131rm\u0131z\u0131y\u0131 hala bir \u015fekilde g\u00f6steren, gizemli bir par\u0131lt\u0131s\u0131 olan, giyene yol g\u00f6stericilik yapan; annelerimizden anneannelerimizden ald\u0131\u011f\u0131m\u0131z, nasihatler ve masallarla peki\u015ftirilmi\u015f i\u00e7g\u00fcd\u00fcler, sezgiler ve yeteneklerdir onlar. Varl\u0131\u011f\u0131n\u0131 zaman zaman unutsak bile…<\/p>\n

Soundtrack\u2019inde \u0130ngiliz besteci Rachel Portman\u2019\u0131n imzas\u0131n\u0131 ta\u015f\u0131yan; i\u00e7inde k\u00fc\u00e7\u00fck bir Frans\u0131z kasabas\u0131, renkli pabu\u00e7lar ve bolca \u00e7ikolata bulunduran leziz film m\u00fcziklerini ayr\u0131ca dinlemezseniz filmin verdi\u011fi duygu eksik kalacakt\u0131r. Clarissa P. Estes\u2019in \u201cKurtlarla Ko\u015fan Kad\u0131nlar\u201d kitab\u0131ndaki \u201cK\u0131rm\u0131z\u0131 Ayakkab\u0131lar\u201d hik\u00e2yesini okurken, bir bardak biberli s\u0131cak \u00e7ikolata e\u015fli\u011finde belki…<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c\u00d6l\u00fc bir kentin meydan\u0131nda durup k\u0131rm\u0131z\u0131…<\/p>\n","protected":false},"author":288,"featured_media":11203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67,68],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11202"}],"collection":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/288"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11202"}],"version-history":[{"count":0,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/11202\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kadrandergi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}